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Showing 1 to 11 of 11 for “"Carlos Fuentes"”.

  1. Social protest in three novels of Carlos Fuentes

    <p>Carlos Fuentes is one of Mexico' s current fiction writers and to many he is controversial in that he delves into several of Mexico's great preoccupations: the Revolution, the search for lo mexicano and the future for this growing country.</p> <p>This thesis is an endeavor to expose and explain …

    u-pacific Repository record for Social protest in three novels of Carlos Fuentes (opens in a new tab)

  2. The Narrative Technique of Carlos Fuentes: 1954--1964

    Made available in DSpace on 2014-12-09T20:08:28Z (GMT). No. of bitstreams: 1 6801833.pdf: 12774809 bytes, checksum: 3fb18a2cb8b7b7dfee6987c61e82334f (MD5) Previous issue date: 1967

    uiuc Repository record for The Narrative Technique of Carlos Fuentes: 1954--1964 (opens in a new tab)

  3. Literary Historicism: Conquest and Revolution in the Works of Carlos Fuentes (1928-2012) and Alejo Carpentier (1904-1980)

    … writings of Alejo Carpentier (1904-1980) and Carlos Fuentes (1928-2012). These historical tropes constitute core topics of reflection throughout their literary and critical works, stressing the interplay between literature and history. I propose the concept of literary historicism to analyse …

    cambridge Repository record for Literary Historicism: Conquest and Revolution in the Works of Carlos Fuentes (1928-2012) and Alejo Carpentier (1904-1980) (opens in a new tab)

  4. Tecnicas Narrativas De Jose Agustin. (Spanish Text)

    … Mar(')ia Arguedas, Las buenas conciencias de Carlos Fuentes, Ardiente suelo, fr(')ia estacion de Pedro Juan Soto, La ciudad y los perros de Mario Vargas Llosa.

    uiuc Repository record for Tecnicas Narrativas De Jose Agustin. (Spanish Text) (opens in a new tab)

  5. La condición posmoderna y el absurdo en el cuento latinoamericano contemporáneo.

    … en los cuentos "Chac Mool" (1954) del mexicano Carlos Fuentes (1928), "Un señor muy viejo con unas alas enormes" (1972) del colombiano Gabriel García Márquez (1928) y "El ángel caído" (1986) de la uruguaya Cristina Peri Rossi (1941). Se sugiere que estas selecciones representativas de la …

    baylor Repository record for La condición posmoderna y el absurdo en el cuento latinoamericano contemporáneo. (opens in a new tab)

  6. Retextualized transculturations: The emergence of La Malinche as figure in Chicana literature

    … misogynistic representations of Octavio Paz and Carlos Fuentes, Malintzin/Malinche, widely considered mother of the mestizo people as well as traitor and whore, became a pivotal center of attention for many Chicana writers. Symbolically, she is the embodiment of the violence wrought against …

    uiuc Repository record for Retextualized transculturations: The emergence of La Malinche as figure in Chicana literature (opens in a new tab)

  7. Mexico y la Mexicanidad: Aura, donde confluyen el mito y la historia

    … between the real and the mythical. In Aura, Carlos Fuentes takes this ambiguity to an extreme as the supernatural materializes and becomes tangible. In the few pages where the story unfolds, Aura can be seen as a reflection of mid-twentieth century México. In this novel we see how the Mexican …

    texas-state Repository record for Mexico y la Mexicanidad: Aura, donde confluyen el mito y la historia (opens in a new tab)

  8. Tres lecturas de las novelas de Mario Vargas Llosa : interpretación psicoanalítica de la producción novelesca de un autor

    … as Vargas Llosa, such as Gabriel García Márquez, Carlos Fuentes and Julio Cortázar, uses different strategies to conceal one content beneath another, it is likely to think that Vargas Llosa uses a similar strategy and that he deliberately conceals what he understands as a Oedipal conflict in all …

    lund Repository record for Tres lecturas de las novelas de Mario Vargas Llosa : interpretación psicoanalítica de la producción novelesca de un autor (opens in a new tab)

  9. From the Edge: the Littoral in Visual and Literary Imaginaries of Mexico

    The word littoral/*litoral* derives from the Latin *litor*, meaning ‘of or pertaining to the shore’ (OED). It entered usage in the mid-seventeenth century and has since accumulated a variety of referents, some cartographically or ecologically specific, others symbolic. The ‘littoral zone’ has most …

    cambridge Repository record for From the Edge: the Littoral in Visual and Literary Imaginaries of Mexico (opens in a new tab)

  10. Constructing Hegemony: The Latin American Boom and the Book Industries of Spain and Mexico, 1963-1967

    This thesis analyses the process of construction of hegemony in the Spanish-language publishing world in the 1960s. It compares the book industries of Spain and Mexico to understand how the Spanish rather than the Mexican industry established itself as the main one of their shared language. The …

    cambridge Repository record for Constructing Hegemony: The Latin American Boom and the Book Industries of Spain and Mexico, 1963-1967 (opens in a new tab)