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Showing 1 to 3 of 3 for “"Caccini"”.

  1. Speaking in Tones: Plainchant, Monody, and the Evocation of Antiquity in Early Modern Italy

    Swanson, Barbara DianneCase Western Reserve University School of Graduate Studies2013

    Jacopo Peri, Giulio Caccini, Emilio de’ Cavalieri, and Claudio Monteverdi used plainchant formulas in their compositions for solo voice: Peri used psalm tones in <i>Euridice</i>; Caccini used Tenebrae chant melisma in <i>Le nuove musiche</i>; Cavalieri quoted the Lamentations chant in his …

    ohiolink Repository record

  2. "A comparative analysis of 18 settings of Petrarch's ""Tutto'l dipiango; e poi la notte, quando"""

    Lloyd, ThomasUniversity of Illinois at Urbana-Champaign2011

    … and three monodies by Jacopo Peri, Giulio Caccini, and Sigismondo d'India. The purpose of the study is to trace the development of the relation of music and text in the Renaissance polyphonic and monodic madrigal. The Petrarch sonnet was chosen both because of the central literary …

    uiuc Repository record

  3. Johann Nauwach's <i>Teütscher Villanellen</i>: A Critical Performance Edition with Performance Practice Commentary

    Pfund, ChristopherThe Graduate School and University Center of The City University of New York2019

    … extensive diminutions similar in style to Caccini. In 1627, Nauwach published Teütscher Villanellen dedicated to the nuptial celebrations of Sophie Eleonore of Saxony and Landgrave Georg II of Hesse-Darmstadt –– the same celebration for which Heinrich Schütz (1585–1672) and Martin Opitz …

    cuny-grad Repository record