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Showing 1 to 9 of 9 for “"Cézanne"”.

  1. La teoría del encuadre en comunicación vista desde el punto de vista filosófico de Merleau-Ponty en La duda de Cézanne

    El siguiente trabajo de grado explora la relación entre el trabajo del periodista y el pintor, teniendo en cuenta los planteamientos de Maurice Merleau-Ponty, centrándose en la percepción y el encuadre. Se analiza cómo esta perspectiva filosófica puede enriquecer la comprensión de la teoría del …

    javeriana Repository record for La teoría del encuadre en comunicación vista desde el punto de vista filosófico de Merleau-Ponty en La duda de Cézanne (opens in a new tab)

  2. Tactility and modernity: the sense of touch in D. H. Lawrence, Alfred Stieglitz, Walter Benjamin, and Maurice Merleau-Ponty

    … on the Etruscan civilization and his essays on Cézanne. Chapter 2 examines the collective discourse and imagery of touch in Alfred Stieglitz and his artistic circle, including Max Weber, Waldo Frank, Paul Rosenfeld, and William Carlos Williams. Chapter 3 explores the Modernist dialectic between …

    uiuc Repository record for Tactility and modernity: the sense of touch in D. H. Lawrence, Alfred Stieglitz, Walter Benjamin, and Maurice Merleau-Ponty (opens in a new tab)

  3. Essence of Portraiture.

    … into visual form. Using the methods exampled by Cézanne and Matisse, I have sought to create portraits that are revelations of both the sitters and myself.</p> <p>The totality of an individual’s being is ineffable. Thus, the task of the portrait artist is limited to an evocation. ‘Essence’, …

    etsu Repository record for Essence of Portraiture. (opens in a new tab)

  4. Materializing the hole

    … Lyotard, Goodman, Hansen, Barthes, Beckett, Cézanne, Plato, and other theorists and practitioners.

    mit Repository record for Materializing the hole (opens in a new tab)

  5. Specularity in Late Nineteenth-Century French Literature and Art

    … Mallarmé, Huysmans, Morisot, Monet, Renoir and Cézanne. This thesis argues that specularity--a sort of mirror mimesis--was part of the fertile, artistic exchange between these representative writers and artists who shaped nineteenth century French literature and plastic arts during a period of …

    uno Repository record for Specularity in Late Nineteenth-Century French Literature and Art (opens in a new tab)

  6. Tableau-objet und Konstruktionsplastik im kubistischen Werk von Georges Braque und Pablo Picasso : die Differenz von Metamorphose und Metapher

    … Verwendung des Konstruktionsbegriffes bei Paul Cézanne und Robert Delaunay, dem sich in zwei weiteren Kapiteln die gesondert behandelten Werkanalysen zu Georges Braque und Pablo Picasso anschließen.

    freiburg-diss Repository record for Tableau-objet und Konstruktionsplastik im kubistischen Werk von Georges Braque und Pablo Picasso : die Differenz von Metamorphose und Metapher (opens in a new tab)

  7. Paul Gauguin’s Self-Portraiture and the Concept of Androgyny

    … Puvis de Chavannes, Edgar Degas, and Paul Cézanne. Like his written images, Gauguin’s pictorial representationsof androgyny reveal it as both transcendence and transgression. The manner in which he resolves his anxiety aboutthe threat of transgression varies between his two categories of …

    bryn-mawr Repository record for Paul Gauguin’s Self-Portraiture and the Concept of Androgyny (opens in a new tab)

  8. Negotiating Boundaries - Exploring the Existential Experience of Architecture

    … the softness, the hardness of object; Cézanne even claimed that we see their odor. If the painter is to express the world, the arrangement of his colors must carry with this indivisible whole, or else his picture will only hint at things and will not give them in the imperious unity, …

    vt Repository record for Negotiating Boundaries - Exploring the Existential Experience of Architecture (opens in a new tab)

  9. Konzept der Collage

    … erscheinen lassen. Die Errungenschaft von Paul Cézanne zur Wiedergabe des Wahrnehmungsprozesses bei der Bildproduktion wurde als grundlegend für die Funktion des Zeichencharakters des collagierten Elements angesehen und leitete in die Ausbildung der kubistischen Ästhetik über, die wiederum den …

    lmu-germany Repository record for Konzept der Collage (opens in a new tab)