Global ETD Search

Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.

Results

Showing 1 to 11 of 11 for “"Bourriaud"”.

  1. Listrænn ærslagangur í London: Sirkus gjörningur Kling & Bang gallerís á Frieze Art Fair

    … Í þriðja hluta er farið yfir kenningar Nicolas Bourriaud um fagurfræði vensla. Því næst verður fjallað um þátttakendur í listaverkum í ljósi kenninga Claire Bishop. Í niðurstöðum er Sirkus gjörningurinn greindur út frá kenningum Bourriaud og Bishop og skoðuð verða tengsl sem verkið skapar. …

    u-iceland Repository record for Listrænn ærslagangur í London: Sirkus gjörningur Kling & Bang gallerís á Frieze Art Fair (opens in a new tab)

  2. The Emergence of the Documentary Real within Relational and Post-Relational Political Aesthetics

    … and the particular. Overall, I seek to reclaim Bourriaud as instrumental to the re-thinking of these categories and as essential to a reading of current critical art discourse. I identify a number of misreadings of relational aesthetics that result from a misrecognition or unwillingness to …

    wlv Repository record for The Emergence of the Documentary Real within Relational and Post-Relational Political Aesthetics (opens in a new tab)

  3. Beside engagement: a queer and feminist reading of socially negotiated art through dialogue, love, and praxis

    … on art theories including relational aesthetics (Bourriaud, 2000), participatory art (Bishop, 2012), concatenations of art and revolution (Raunig, 2007), and the continuing avant-garde project (Léger, 2012) through the lens of embodiment. A number of refractions, including counterpublics and …

    wlv Repository record for Beside engagement: a queer and feminist reading of socially negotiated art through dialogue, love, and praxis (opens in a new tab)

  4. The relationship between specialist and non-specialist identities in a dialogical art practice

    … through the writings of Suzanne Lacy, Nicolas Bourriaud, Miwon Kwon, Grant Kester, Claire Bishop and Gregory Scholette. It also illustrates how the exemplary art practices of Dan Graham, Rod Dickinson, The Artist Placement Group and Experiments in Art & Technology have directly influenced the …

    oxford-brookes Repository record for The relationship between specialist and non-specialist identities in a dialogical art practice (opens in a new tab)

  5. What is it that is going on when children collaborate to make art What is it that is going on when children collaborate to make art in a primary school workshop? A frame analysis.

    … is championed by the curator and critic Nicolas Bourriaud. Relational artists believe that aesthetic form can be found in relations as well as objects. A creative workshop in a primary school is a complex social situation. In his book Frame Analysis (1974), the sociologist Erving Goffman develops …

    east-anglia Repository record for What is it that is going on when children collaborate to make art What is it that is going on when children collaborate to make art in a primary school workshop? A frame analysis. (opens in a new tab)

  6. Anchoring the Practice — Contemporary Artists’ Books as Translational Objects

    … what values practicebased art proposes (Grant, Bourriaud, Lippard), how those values are valorized, evaluated and transmitted as value (Bourdieu, Vatin, Hutter), what art objects are capable of within this context of valuation (Krauss, Graw, Latour, Harman) and how contemporary artists’ books …

    arts-london Repository record for Anchoring the Practice — Contemporary Artists’ Books as Translational Objects (opens in a new tab)

  7. 'Close' as a construct to critically investigate the relationship between the visual artist and the everyday.

    … culture and the art historical discourse of Bourriaud that positions art within models of social interaction. As a critical concept the everyday has benefits for re-thinking the nature of creative activity and its reception. The term participatory relational practice is used \ 11 this thesis …

    rgu Repository record for 'Close' as a construct to critically investigate the relationship between the visual artist and the everyday. (opens in a new tab)

  8. AGAINST A SHARP WHITE BACKGROUND: Dialogic and Exhibitionary Practices of Black Contemporary Artists and Curators in Art Museums

    … museum space (McClellan 2003; Karp et al. 2006; Bourriaud 1998; Kester 2011), little consideration has been dedicated to Black contemporary artists’ physical presence in art museums. As a critical paratext to curatorial projectsThe Shadows Took Shape and In Black and White which I co-authored, …

    cent-lancashire Repository record for AGAINST A SHARP WHITE BACKGROUND: Dialogic and Exhibitionary Practices of Black Contemporary Artists and Curators in Art Museums (opens in a new tab)

  9. Blazing Century 1: Creative Interventions on the Margins of Two Worlds - Studio-Based Art and Connective Social Practice

    … Shelley SACKS), Relational Aesthetics (Nicolas BOURRIAUD), Connective Aesthetics (Suzi GABLIK), and environmentally sustainable and political-ecological (Bruno LATOUR). I have approached my experimental projects with critical praxis, allowing me to overlap existing theoretical frameworks with my …

    oxford-brookes Repository record for Blazing Century 1: Creative Interventions on the Margins of Two Worlds - Studio-Based Art and Connective Social Practice (opens in a new tab)

  10. The Radicant Artist: Echoes of Georgia O'Keeffe in Contemporary Poetry

    … It borrows the term radicant from Nicolas Bourriaud to capture the essence of O’Keeffe, as an artist who set her roots in motion in order to approach art in heterogeneous contexts and formats, transplanting and thus sharing new creative behaviors. The introduction presents the development …

    trento Repository record for The Radicant Artist: Echoes of Georgia O'Keeffe in Contemporary Poetry (opens in a new tab)

  11. Conversations: the socially engaged artist as environmental change agent

    … event as key considerations. (Bishop 2004; Bourriaud 2002; Kester 2004; Kwon 2004) I propose an aesthetic of presence, to recognise community as a creative vernacular and as pooled knowledge. Drawn from Michel de Certeau’s research into everyday life (Michel de Certeau 1985; Michel de …

    plymouth Repository record for Conversations: the socially engaged artist as environmental change agent (opens in a new tab)