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Showing 1 to 7 of 7 for “"Boosey & Hawkes"”.
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Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire
For over 150 years the names Boosey and Hawkes dominated the British music scene, at first independently, and from 1930, in response to the difficult trading conditions of the Depression, as a single firm – Boosey & Hawkes. Although it was run as one company it comprised two divisions – the …
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Portfolio of original compositions [music] / Graeme John Koehne.
These compositions published commercially by Boosey & Hawkes.
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The treble choral music of Gordon Binkerd: A survey
… choral music. Seventeen works are published by Boosey & Hawkes, Inc., one is under copyright to Associated Music (a division of G. Shirmer, Inc.), and four are, as of this writing, unpublished.
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Toward a Critical Edition of Gordon Jacob's William Byrd Suite: A Comparison of Extant Editions with The Fitzwilliam Virginal Book
… as the parts. Although the work was reissued by Boosey & Hawkes in 1960 and 1991, many of the original errors remained intact. The sheer amount of inconsistencies causes great difficulties for the musicians involved in the rehearsal process, slowing efficiency and resulting in a frustrating …
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"An analysis of ""Seven Last Words from the Cross"" (1993) by James Macmillan"
… (a vocal score and a full score) published by Boosey & Hawkes and two CDs published by the Dmitri Ensemble (April 2014, under the direction of Graham Ross) and, Polyphony (August 2005, under the direction of Stephen Layton).
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Tracing the Development of Willie Stark and Its Place in American Opera
Highly praised American composer Carlisle Floyd (b. 1925), well known for his musical dramas Susannah (1955) and Of Mice and Men (1970), wrote Willie Stark (1981), commissioned by the Kennedy Center for the Performing Arts and later Houston Grand Opera. Floyd’s libretto and musical score was based …
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Reaching through the Iron Curtain: Practicalities in the Anglo-Soviet cultural exchange of music and musicians, 1955-1975
This dissertation is an investigation of the position of British and Soviet music professionals (such as composers, concert agents, performers, and publishers) in the interchange of music and musicians between the United Kingdom and the Soviet Union from 1955 to 1975. This study determines how they …