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Showing 1 to 16 of 16 for “"Berio"”.
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The neglected sound: music “re-invented”, Luciano Berio Sequenza lll the “antidote” for vocal technique
… between music and sound. By examining the use of Berio's extended techniques in Sequenza III, particularly in terms of vocal application, this paper will assess how the complex use of the voice in a composition like this can benefit the vocal technical element for classical singers. The technical …
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Doctoral thesis recital (clarinet)
Lied / Berio -- Time pieces : for clarinet and piano, op. 43 / Muczynski -- Sonata for B-flat clarinet and piano, op. 94 / Prokofiev
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Luciano Berio's Sequenza III: The Use of Vocal Gesture and the Genre of the Mad Scene
… within her own vocal range. The notation that Berio has used is new and specific, but the emotional markings and dynamics drawn from these markings permit a variety of interpretive decisions by the performer. There is a very brief text and no actual melody, so where does one begin? As a …
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Gradus ad Parnassum of Modern Flute Technique: An Explication of Musical Intention and Design in 30 Capricen für Flöte allein, Opus 107 by Sigfrid Karg-Elert, with Three Recitals of Selected Works by Schulhoff, Telemann, Berio, Bach, Rodrigo, Gieseking, Reinecke, and Others
… of Selected Works by Schulhoff, Telemann, Berio, Bach, Rodrigo, Gieseking, Reinecke, and Others
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Listeners' perceptual and emotional responses to tonal and atonal music
… responses to music by Clementi, Schoenberg and Berio. Results suggested that musical experience increases listeners' perceptual efficiency, and influences emotional responses: music students' responses to the three pieces were at similar levels, whereas non- music students' responses varied more …
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Gunther Schuller and John Swallow: Collaboration, Composition, and Performance Practice in Eine Kleine Posaunenmusik, with Three Recitals of Selected Works by Berio, Bogle, Gregson, Pryor, Suderburg and Others
Gunther Schuller is credited with coining the term Third Stream, meaning compositions where twentieth-century art music forms exist simultaneously with jazz. Furthermore, Schuller specifically states in the liner notes to the debut recording of Eine Kleine Posaunenmusik "The work is not a Third …
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Luciano Berio• Corale: Η «μεταγραφή» της Sequenza VIII για σόλο βιολί σε ένα νέο έργο για βιολί και σύνολo και τα ζητήματα που ανακύπτουν από την αντιπαραβολή τους
Η παρούσα εργασία συγκρίνει το έργο Corale (1981) με τη Sequenza VIII (1976) για σόλο βιολί, της οποίας αποτελεί μεταγραφή -χαρακτηρισμός του ίδιου του συνθέτη- για βιολί και σύνολο. Καταγράφει εξαντλητικά τις διαφοροποιήσεις και την εξέλιξη ανάμεσα στα δύο έργα, εξετάζοντας την έννοια της …
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Not Just a Pretty Voice: Cathy Berberian as Collaborator, Composer and Creator
… 1950, when she married Italian composer Luciano Berio, Berberian premiered almost thirty new works by seventeen different composers and received the dedications of several more. Composers connected to her include: John Cage, Igor Stravinsky, Darius Milhaud, Sylvano Bussotti, Henri Pousseur, Bruno …
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The Self-Conscious Ensemble in Selected Twentieth-Century Vocal Works
… Gyorgy Ligeti, and Coro and Passaggio by Luciano Berio. Most of these experimental pieces emerged out of the period of social, political, and cultural upheaval that lasted from the mid-sixties to the mid-seventies. Vocal ensemble music engaged with its own social discourse--self-conscious ensemble …
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The Music of Language
… of Kurt Schwitters, Milton Babbitt, Luciano Berio, Cathy Berberian, Stuart Saunders Smith, Adriano Celentano, and Eduard Khil. Unlike previous research of language-inspired music that has focused on individual composers and their works, this document aims to create connections between …
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Compositional Issues with Corigliano, Oliveros, and Kernis
… contrasting views from composers Luciano Berio and Pierre Boulez to provide a more global perspective on the issues.
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Musical Ambiguity in Analysis and Composition: Problems of Pattern, Value, Form, and Structure
… by Palestrina, Debussy, Schoenberg, Webern, and Berio. Chapter Four includes a critique of the roles played by musical ambiguity in the music theories of Schenker, Meyer, and Narmour and offers an alternative analysis of Haydn's Sonata no. 39 which features non-hierarchical representation of …
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An investigation of cellphone use on the academic performance of Namibia school learners: A case study of the Caprivi Senior Secondary School and Kizito College in the Zambezi region
The study assessed the impact of cell phone use among Namibian school learners. The researcher used the mixed methods approach of qualitative and quantitative methods to collect and analyse data, integrate the findings and draw inferences to predict the impact of cell phone usage on the academic …
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Staging Canova: Sculpture, Connoisseurship and Display, 1780-1843
… in a tempietto in the garden of Francesco Maria Berio, Marchese di Salza, launched a city-wide debate regarding modes of artistic production and the best means of communicating those artistic possibilities to an audience. In Venice, in 1817, Leopoldo Cicognara juxtaposed Canova's Polinnia with …
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Three case studies in twentieth-century performance practice
… Quartet, John Cage’s Sonatas and Interludes, and Berio’s _Sequenza III_—this dissertation examines how trends in performance practice emerge in the recording history of twentieth-century pieces. It investigates whether a certain performance practice is traceable from one recording to the next; …
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Out of Order
… beyond itself. In the final chapter (7), I claim Berio’s poetics represent the most expansive consideration of musical meaning in the twentieth century, and offer a great deal to today’s composers. I argue Berio’s early writing anticipates a conception of meaning that is close to Bloom’s, and …