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Showing 1 to 12 of 12 for “"Belvedere"”.
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Moving Forward Into the Past: The Role of the Belvedere Museum in the Construction and Representation of Austrian Identity
… is unsatisfactory for visitors. Indeed, the Belvedere carries ideas of inequalities. Hence, it is important that the Belvedere Museum adjusts to the social realities, unmasks institutionalized narratives, and allows for the multiple ways of relating to the past necessary to nurture Austrian …
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Aspectos tecnológicos y bio-ecológicos del asentamiento de mejillón, Mytilus edulis platensis, sobre colectores artificiales
… distancia de geoformas costeras; el sitio Belvedere fue seleccionado por su menor exposición y por su cercanía a una prolongación del continente hacia el mar, y el sitio Km 3, por su mayor exposición y por su lejanía a geoformas costeras. Los resultados indicaron que en Belvedere se …
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The Economic Impact of Migration on the European Countries
International migration to the EU Member States has increased signicantly over the past decades. Economists have tried to explain the effect of migration by looking at labour market outcomes such as income differentials and wage gaps between migrants and natives. However, few papers have …
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Fragments and Assemblages: The Display of Ancient Sculpture in the Vatican’s Museo Chiaramonti
… the Museo Chiaramonti in a wing of the Vatican’s Belvedere Courtyard. The result was a new museum display of ancient sculpture, the first that included fragments on a wide scale, while at the same time restorations continued to play an important role. It is this duality between fragments and …
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New functional and biomechanical assessments for the improvement of the surgical navigation systems for joint replacement in the human lower limb
In case of severe osteoarthritis at the knee causing pain, deformity, and loss of stability and mobility, the clinicians consider that the substitution of these surfaces by means of joint prostheses. The objectives to be pursued by this surgery are: complete pain elimination, restoration of the …
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‘To Recover Art to the Florentine Original’: William Blake’s Reception of Michelangelo
… of Michelangelo with the Hellenistic statue, the Belvedere Torso, on Blake. I collate four quotations of the Torso in his works (Blake’s ‘Blasphemer Series’, c. 1800–20) and argue the physical characteristics of the Torso (the fragmented body and the serpentine line) visibly inform Blake’s …
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La «famosa Scala grande a Lumaca, detta di Bramante»
«Bramante non [fece] né la più bella né la più artificiosa architettura di questa». Così si conclude la concisa descrizione serliana della «scala a lumaca» del palatium innocenziano-roveresco in Vaticano. La lumaca ‘scava’ una nuda torre a pianta quadrangolare innestata sul fianco orientale …
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Staging Canova: Sculpture, Connoisseurship and Display, 1780-1843
… Triumphant Perseus next to a cast of the Apollo Belvedere, for instance, generated conversations regarding the nature of imitation and the importance setting and political circumstances had on the understanding of his work. In Naples, on the other hand, the exhibition of Venus and Adonis in a …
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GEOHERITAGE ASSESSMENT, MONITORING AND COMMUNICATION THROUGH MULTIDISCIPLINARY - 3D MODELLING APPROACH.
… riduzione di volume del ghiacciaio nero del Belvedere. Inoltre, nel contesto della Riserva Naturale di Monte Rufeno (pre-Appennini dell’Italia Centrale), la modellazione SfM-MVS ha permesso di confermare lo stato di attività del geomorfosito complesso della Scialimata Grande di Torre Alfina, …
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Anthologizing Shakespeare, 1593-1603
… why two 1600 volumes, 'Englands Parnassus' and 'Belvedere', gather so much material from a single scene in 'Richard II', the deathbed of John of Gaunt. Poised between this life and the next, dying words were (and are) often seen as proverbially true. That reputation for truthfulness, and their …
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The Classical in the Contemporary: Contemporary Art in Britain and its Relationships with Greco-Roman Antiquity
My thesis is titled ‘The Classical in the Contemporary: Contemporary Art in Britain and its Relationships with Greco-Roman Antiquity.’ From the viewpoint of classical reception studies, I am asking what contemporary British art (by, for example, Sarah Lucas, Damien Hirst, and Mark Wallinger) has to …