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Showing 1 to 10 of 10 for “"Beethoven, Ludwig van, 1770-1827"”.

  1. "Modernity's hearing loss" : Beethoven, romantic critique, and the music of the literary

    … between the critique of Jena romanticism and Beethoven's "neue Manier" in the context of the material conditions that shaped European modernity around 1800. By taking as a case study the piano sonatas Op. 31, each chapter examines from a different perspective what represents a key historical …

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  2. Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5

    This paper examines the generic aspect of Beethoven's Opus 5 Cello Sonatas (1796) from structuralist and post-structuralist perspectives, and explores the works from these viewpoints in order to gain insights into how the sonatas function as autonomous musical texts rather than historiographic …

    unt Repository record for Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5 (opens in a new tab)

  3. Cathy Hays Zepeda's Graduate Recital

    Composers in the first graduate recital: Robert Schumann; Gerald Finzi; Manuel de Falla

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  4. Wan Kyu Chung's Graduate Recital

    Composers in the first graduate recital: Ludwig van Beethoven; Claude Debussy; Sergei Prokofieff

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  5. A Critical analysis of “Adelaide” by Ludwig Van Beethoven

    … thoroughly as possible the song, "Adelaide", by Ludwig van Beethoven. The study will include a brief summary of the life of Beethoven, pertinent statements about his music and a detailed analysis of the song.

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  6. Redford Charles Hazlewood Jr.'s Ph.D. Recital

    … Schaffrath; John Russo; Carl Maria Von Weber; Ludwig Van Beethoven

    ttu Repository record for Redford Charles Hazlewood Jr.'s Ph.D. Recital (opens in a new tab)

  7. Jane Womack's Graduate Recital

    … first graduate recital: Johann Sebastian Bach; Ludwig van Beethoven; Franz Liszt; Johannes Brahms; Frederic Chopin

    ttu Repository record for Jane Womack's Graduate Recital (opens in a new tab)

  8. The Theme and Variations as Used by Four Important Piano Composers in Four Periods of Music History

    … Handel, late Baroque; (2) Mozart, Classic; (3) Beethoven, early Romantic; and (4) Norman Dello Joio, Modern. Although the form under study has been used in many media of writing, the compositions in this analysis are limited to piano works.

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