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Showing 1 to 4 of 4 for “"Balakirev"”.
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An Analytical Study of Mily Alekseyevich Balakirev's Musical Style in his Early Piano and Orchestra Works: Grande Fantaisie on Russian Folk Songs and Concerto Op.1 in F# Minor.
Balakirev's two early piano and orchestra works, Grande Fantaisie on Russian Folk Songs and Concerto Op. 1 in F# Minor, were composed in the middle of the nineteenth century when in Russia there were no particularly important works for piano and orchestra. Balakirev was still a teenager when he …
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Reinterpreting Pyotr Il’yich Tchaikovsky’s Romeo and Juliet through Hermeneutic Windows
… ‘the correspondence between Tchaikovsky and Balakirev’, serves as the foundation for my later discussions on ‘self’ and ‘otherness’. Here, a comprehensive detailing of Romeo and Juliet’s genesis from conception to completion is provided. Through this examination, insight is offered into …
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Structural processes in Gabriel Fauré's nocturnes for piano
… of the nocturne such as Field, Chopin, Liszt, Balakirev, Scriabin, Satie, Debussy and Poulenc. The investigation focuses on a close reading of the nocturnes, and especially on thematic, motivic and harmonic usage, and on Fauré's most original contribution, his complex integration of advanced …
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The development of the Russian piano concerto in the nineteenth century.
… to the inability of several, including Balakirev and Taneyev, to complete their works. Even Tchaikovsky encountered difficulties which he was not always able to overcome. The most successful Russian piano concertos of the nineteenth century, Tchaikovsky's No.1 in B flat minor, …