Global ETD Search
Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.
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Showing 1 to 5 of 5 for “"Artists' moving image"”.
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Towards an Asynchronous Cinema: how can the asynchronous use of sound in artists' moving image underpin the creation of dialectic tension between the audio, the visual and the audience?
… issues and debates around the use of audio in artists’ moving image practice. From this it is argued that asynchronism, first advocated in 1929 by Pudovkin as a response to the advent of synchronised sound, can be used to articulate audio-visual relationships. Central to asynchronism’s …
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Perceiving time through the ‘frame gap’ in experimental cinema
… proposes the ‘frame gap’ as a new concept in artists’ moving image practices and explores how it can elucidate the temporal experience of cinema. Through experiments in light and film, this study begins by an intermediary reflection on both film and light. The concept of the ‘frame gap’, which …
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History has Tongues: re-evaluating historiography of the moving image through analysis of the voice and critical writing in British artists’ film and video of the 1980s
… utilises material contained in The British Artists’ Film and Video Study Collection, part of the Museum at Central Saint Martins (UAL). Close analysis of a number of selected film and video works created within the artistic, activist and experimental communities active at the time both …
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Above and Below the Horizon: A Practice-Led Investigation into Liminal Thresholds of Bodies of Water
… between analogue and digital, still and moving technologies, revealing aspects of the physical and conceptual horizons within and beyond the visible light spectrum. A range of theoretical concepts reconfigured my readings and interpretations of the phases of experience, through liminality …
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Every Frame Counts: Creative Practice and Gender in Direct Animation
… which the body-centred practices of women film artists embrace the materiality of direct animation in order to foreground gendered, subjective positions. Through the researcher's own creative practice, it investigates how this mode of film-making, in which the artist works through physical …