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Showing 1 to 7 of 7 for “"Art, Japanese"”.

  1. When Worlds Collide--Art, Cartography, and Japanese Nanban World Map Screens

    … map screens are among the earliest examples of Japanese visual culture to feature pictorial imagery shaped by European cartographic science, geographic knowledge, and overseas trade and exploration. In these works, anonymous Japanese artists adapted Western European maps and book illustrations, …

    columbia-diss Repository record for When Worlds Collide--Art, Cartography, and Japanese Nanban World Map Screens (opens in a new tab)

  2. Art Across Borders: Japanese Artists in the United States, 1895-1955

    From the 1880s to the early 1920s, hundreds of artists left Japan for the United States. The length of their stays varied from several months to several decades. Some had studied art in Tokyo, but others became interested in art after working in California. Some became successful in the American …

    columbia-diss Repository record for Art Across Borders: Japanese Artists in the United States, 1895-1955 (opens in a new tab)

  3. Curating Contemporary Japanese Art: Exhibition Catalogue Production for Hidden Landscapes: Yasuaki Onishi and Invisible Space

    … of attention given to contemporary Asian artists exhibited in the United States and Europe. Since 2008, artists from China, Japan, South Korea, and Central Asia have been featured in exhibitions from the Venice Biennale to the Whitney Biennale, and are becoming ever more present on the …

    usfca Repository record for Curating Contemporary Japanese Art: Exhibition Catalogue Production for Hidden Landscapes: Yasuaki Onishi and Invisible Space (opens in a new tab)

  4. Interregional Style and Taste: Water-moon Avalokiteśvara Paintings From Goryeo and Beyond

    … The majority are anonymous, and are found in Japanese collections where they had once been mistakenly attributed to professional Chinese painters. The rediscovery of Goryeo Buddhist paintings in the twentieth century was enabled by an awareness of a “style”, which varied from the neighbouring …

    cambridge Repository record for Interregional Style and Taste: Water-moon Avalokiteśvara Paintings From Goryeo and Beyond (opens in a new tab)

  5. Aesthetics of colours in Japanese traditional paintings and woodblock prints in the Edo Period

    The aim of this thesis is to examine and study Japanese traditional colours: gold and red for the Kanō school, blue and purple for the ukiyoe, including their symbolic meanings, pigments, how they were applied in art works and how they were related to Japanese aesthetics. This thesis is comprised …

    uvic Repository record for Aesthetics of colours in Japanese traditional paintings and woodblock prints in the Edo Period (opens in a new tab)

  6. Way of the Butterfly: A Journey towards Transformation through Self-portraits In-Between

    … This process has helped me grow not only on an artistic level, but also on a personal level. My journey towards integration has led me to a meaningful studio practice, which has allowed my work to bridge the gap between Western and Eastern artistic sensibilities. At the beginning of the MFA …

    ucf

  7. Re-evaluating Murakami's Superflat: toward a contextualized interpretation of contemporary Japanese art

    … of Edo period (1603-1868) and contemporary Japanese art. Murakami built his own production studio and branding devices as an attempt to further codify Superflat as a unique movement in Japanese art. As a result of Murakami’s tactics and the popularity of his theory in North America and …

    uiuc Repository record for Re-evaluating Murakami's Superflat: toward a contextualized interpretation of contemporary Japanese art (opens in a new tab)