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Showing 1 to 20 of 24 for “"Arnold Schoenberg"”.
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Musical Aesthetics and Creative Identification in Two Harmonielehren by John Adams and Arnold Schoenberg
… his composition after a treatise written by Arnold Schoenberg, a figure whose break from the musical past inspired many of the complex and experimental musical models that arose between the publication of his own <em>Harmonielehre</em> (1911, rev. 1922) and that of Adams. But to conclude that …
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The Role of the Trichord as the Basic Structural Unit of the String Trio by Arnold Schoenberg
The major finding of this study was that it is the trichord along with trichordal partitioning rather than the hexachord that forms the basis for the piece. The paper contains a detailed analysis of the work which demonstrates the dominance of the trichord and shows the instability of the hexachord …
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Arnold Schoenberg's "Pierrot lunaire": A study of Sprechstimme and vocal performance practice through sound recording
Arnold Schoenberg's Pierrot lunaire has inspired discussion and debate among scholars and performers alike for over ninety years. In particular, his use of Sprechstimme, a unique combination of speaking and singing, has been examined from a variety of perspectives and continues to be a …
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Aspects of Pitch Emphasis in Some Twelve-Tone Works of Arnold Schoenberg.(with Original Composition) 'Divisions for Small Orchestra'
Made available in DSpace on 2014-12-09T19:39:37Z (GMT). No. of bitstreams: 1 6406149.pdf: 7534979 bytes, checksum: eb8a958a3b38e3f4fe85cfcae3ee793a (MD5) Previous issue date: 1963
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La creación musical de Roberto Gerhard durante el magisterio de Arnold Schoenberg: neoclasicismo, octatonismo y organización proto-serial (1923-1928)
… Gerhard el intenso contacto del compositor con Arnold Schoenberg durante los años veinte. En la primera parte examino la relación de Gerhard con los principios compositivos y pedagógicos de Schoenberg, en particular durante su periodo de estudio en Viena y Berlín (1923 – 28). El magisterio de …
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1. Variation as formal design and twelve-tone procedure in the 'Third String Quartet' by Arnold Schoenberg. 2. Fantasy Variations (original composition)
Made available in DSpace on 2014-12-09T19:40:01Z (GMT). No. of bitstreams: 1 6808088.pdf: 12524467 bytes, checksum: 750597c6ff5ba5b2d9e2f84e03627441 (MD5) Previous issue date: 1967
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A composium in four quarters
… Bach, Ludwig van Beethoven, Richard Wagner, and Arnold Schoenberg.
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An Analysis of Arnold Schoenberg's Orchestral Transcription of Johannes Brahms's Piano Quartet NO.1, OPUS 25
<p>Arnold Schoenberg wrote an orchestral transcription of Johannes Brahms's Piano Quartet No. 1 in G minor, opus 25. This dissertation determines discrepancies between Schoenberg's orchestral transcription and Brahms's original piano quartet. For study and comparison purposes, musical excerpts of …
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"Scelsi's Approach to the Third Dimension in ""Quattro Pezzi (Su Una Nota Sola)"
… and interviews not only by Scelsi but also by Arnold Schoenberg and Dane Rudhyar. These materials about Scelsi have been further employed in order to put him and his approach into proper historical, cultural, and compositional contexts. In order to retrace and to clarify Scelsi's vision of …
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Merging 20th Century Art Music and Pre-recorded Sound: 17 Pieces
… context including the compositional practices of Arnold Schoenberg (d.1951), Claude Debussy (d.1918), Nikolai Roslavets (d.1944), Luigi Nono (d.1990), Iannis Xenakis (d.2001) and Natasha Barrett (1972-). This was a practice-based PhD resulting in the creation of a series of new compositions for a …
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A performer’s guide to selected solo vocal works of the Second Viennese School with a complete catalog
… during the first half of the twentieth century: Arnold Schoenberg, Anton Webern, and Alban Berg, also referred to as The Second Viennese School. The vocal works of these composers are often neglected due to the assumption that the works will be atonal and, therefore, musically unachievable for …
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Twelve-Tone Identity: Adorno Reading Schoenberg through Kant
Theodor Adorno’s view of Arnold Schoenberg can be seen in light of his criticism of Immanuel Kant. Critiquing Kant’s concept of Enlightenment and his dualist philosophy, Adorno also critiques common misconceptions about Kant's work in bourgeois society. Similarly, in Schoenberg's oeuvre Adorno …
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Musical semiotics and color : contextual roles of color in Scriabin and Schoenberg.
… Fire (1911), as well as an in-depth overview of Arnold Schoenberg's synesthetic music drama Die glückliche Hand (1913). With both of these case studies color takes on a unique semiotic role, applying its metaphysical potential to engender a transcendent reality. These pieces not only show …
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Peter Jona Korn: An Introduction to His Works for the Oboe
… composers of the twentieth century, as he, like Arnold Schoenberg, Stefan Wolpe, and Kurt Weill, was forced to flee Germany to escape Nazi persecution. However, unlike composers who turned away from tonality, searching for other modes of expression after the war, Korn remained committed to …
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Music, action, and narrative in film : an energetic and gestural approach to film score analysis
… theorists such as Ernst Kurth, Steve Larson, and Arnold Schoenberg, this dissertation reconsiders several energetic models based in motion and applies them to film music analysis. This study also proposes several original models based in the related branch of continuum mechanics by considering the …
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Op. 34: Evidence of Arnold Schoenberg's Musikalische Gedanke
Composition for Arnold Schoenberg is a comprehensible presentation of a musical idea (musikalische Gedanke); the totality of a piece represents the idea. For tonal works, he defines Gedanke as a process of resolving the "tonal relation" or "tonal problem." Contrary to the numerous tonal examples …
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When theories of psychology and composition intersect : a case study of Schoenberg, Dutilleux, and Lansky
… each: Six Little Piano Pieces, Op. 19 (1911) of Arnold Schoenberg (1874-1951), Metaboles (1964) by Henri Dutilleux (1916-2013), and the chatter series (1985-1988) of Paul Lansky (born 1944). These compositions serve as successive representations of psychological influence, in which it becomes …
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Claude Debussy: Harmonic Innovations in Historical and Musical Context
… strike against this path. While composers like Arnold Schoenberg and the Second Viennese School expanded chromaticism to a completely atonal application in the creation of the twelve-tone method, other composers forged toward alternatives by creatively reshaping tonality. Claude Debussy …
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Tonality And Atonality In Alban Berg's Four Songs, Op2 (austria)
… a critical period for Berg as for his mentor, Arnold Schoenberg, and his colleague Anton Webern. The latter two composers both later remembered 1908 as the year all three of them abandoned traditional tonality and began to write "atonal" music. There are problems, however, with the categories …
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