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Showing 1 to 3 of 3 for “"Aperghis"”.

  1. Agential realism and the “female harpist”: The relational ontology of genderharp in Georges Aperghis’ Fidélité (1982)

    … materialism) and Greek-French composer Georges Aperghis’ solo harp work Fidélité: pour harpiste seule regardée par un homme (“for female harpist watched by a man”) creates new philosophical interpretations for the relationship between gender and the Western European pedal harp. This dissertation …

    uiuc Repository record for Agential realism and the “female harpist”: The relational ontology of genderharp in Georges Aperghis’ Fidélité (1982) (opens in a new tab)

  2. The Music of Language

    … Cage, Steve Reich, Vinko Globokar and Georges Aperghis, as well as constructed languages in the music of Kurt Schwitters, Milton Babbitt, Luciano Berio, Cathy Berberian, Stuart Saunders Smith, Adriano Celentano, and Eduard Khil. Unlike previous research of language-inspired music that has …

    rice Repository record for The Music of Language (opens in a new tab)

  3. The Theatrical Saxophone: Visual and Narrative Elements in Contemporary Saxophone Music

    Many examples of contemporary saxophone music incorporate visual and narrative elements that can be deemed “theatrical”: choreographed movements or gestures, the elocution of text, specific staging and lighting indications, the inclusion of props, and costuming. Distinctly different from the …

    ohiolink Repository record for The Theatrical Saxophone: Visual and Narrative Elements in Contemporary Saxophone Music (opens in a new tab)