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Showing 1 to 6 of 6 for “"Alvin Lucier"”.
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Between consonance and dissonance
… and through the influences of James Tenney, Alvin Lucier, La Monte Young, and painters Jackson Pollock and Gerhard Richter. The first section provides background and places my work within the compositional/artistic canon while the second section discusses the work in more technical detail. At …
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Aural evolutions: intersections of sound with the physical space
… Practitioners in this territory include Alvin Lucier, Sato Minoru and Carsten Nicolai. The present study extends this territory in order to focus on the representation of mechanisms that affect the evolution of a sound from the moment it is produced and until it reaches our perception. …
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Playing the Ear: Non-Linearities of the Inner Ear and their Creative Potential
… out until now. The work of Maryanne Amacher, Alvin Lucier, Diana Deutsch, and others has highlighted the possibilities of employing psychoacoustic principles in music. This research takes a new approach by placing a direct focus on the benefits of the utilisation of these non-linear mechanisms …
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La voz límite. Una aproximación estética a la vocalidad teratológica desde el arte sonoro
… Artaud, Alan Moore, Karlheinz Stockhausen o Alvin Lucier (en la primera sección de la obra), los conceptos antes presentados se aplican al análisis de dos seres teratológicos (y, especialmente, al de sus respectivas voces): Victor de l¿Aveyron y Joseph C. Merrick ¿también conocido como John …
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Partial Figures: Sound in Queer and Feminist Thought
… music and artworks by Future, UGK, Anicka Yi, Alvin Lucier, and Constantina Zavitsanos, among others.</p><p>Chapter 2 concerns a second historically vexed site for thinking gender and sexuality: nature and ecology. I approach the relation between sex, ecology, and sound through one of queer …
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The Modes of Intervention in Alvin Lucier’s <i>I Am Sitting in a Room</i>
<p>Alvin Lucier’s <em>I am sitting in a room </em>(1969) is an icon of experimental music and sound art. The sizable literature addressing the aesthetic and philosophical implications of this piece rarely discusses the performance practice beyond what is indicated in the score itself. This is …