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Showing 1 to 6 of 6 for “"Alberto Ginastera"”.
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The sacred choral music of Alberto Ginastera
"The noted Argentine composer, Alberto Ginastera is remembered primarily for operas, Don Rodrigo, Bomarzo, and Beatrix Cenci. Stuart Pope, editor of Ginastera's works and personal friend, has written in the preface of his catalogue: ""As with his (Ginastera's) contemporary Benjamin Britten, the …
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A comparative style-critical analysis of representative piano works by Alberto Ginastera with specific reference to his application of the Malambo dance rhythm
… literature on the South American composer Alberto Ginastera and his compositional mastery. Ginastera's music is meticulously put together to create some of the most original examples of South American music in the twentieth century. He incorporated numerous Argentinian rhythmic and melodic …
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Piano literature by Argentine composers from the late nineteenth century through the twentieth century : an annotated catalog
… Boero (1884-1958), Juan Jose Castro (1895-1968), Alberto Ginastera (1916-1983), and Carlos Guastavino (1912-2000) are listed alphabetically by composer. Each entry includes publishing information, level of difficulty, U.S. libraries that hold the scores, and a descriptive paragraph. …
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Exploring Alberto Ginastera’s Piano Compositional Styles in His ‘Objective Nationalism’ Period (1934-1947)
Alberto Ginastera (1916-1983) was one of the most famous Latin-American nationalist composers of the twentieth century. He divided his compositional styles into three periods, which are ‘objective nationalism’ (1934–1947), ‘subjective nationalism’ (1947–1957), and ‘neo-expressionism’ (1958–1983). …
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CANCIONES ARGENTINAS (SONGS OF ARGENTINA): A RECORDING PROJECT
… but more than likely unfamiliar to most. Yet Alberto Ginastera (1916-1983) is considered to be the greatest of all Argentine composers. Alberto Williams (1862-1952) is known as the father of the Nationalist School of composition in Argentina, and Carlos Lopez Buchardo (1881-1963) is a most …
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The CLAEM and the construction of elite art worlds: philanthropy, Latinamericanism, and avant-garde music
In this dissertation I argue that the Centro Latinoamericano de Altos Estudios Musicales (CLAEM, 1962-1971) accurately exemplifies how the embrace of avant-garde art music by several young Latin American composers is crucial to understand the creation and consolidation of particular social groups …