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Showing 1 to 4 of 4 for “"Aimé Césaire"”.

  1. Four Phases of Subjectivity: A Rhetorical and Phenomenological Analysis of Aimé Césaire And Cahier D’un Retour Au Pays Natal

    … analysis of the subjectivity that Césaire portrays in his epic poem <em>Cahier d’un retour au pays natal</em>, or <em>Notebook of a Return to My Native Land</em>. Césaire published and republished <em>Cahier </em>four times in a 17-year period and the modified accounts of …

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  2. Reinforcing and destabilizing myths of origin: Storytelling and biopolitical communities in contemporary theater in French

    … and abroad. In particular, I read plays by Aimé Césaire, Bernard-Marie Koltès, Marie NDiaye, and Wajdi Mouawad against the French post/neocolonial context of the latter half of the twentieth century as well as the international migration crisis of the early twenty-first century. While the …

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  3. Tracing Black Radical Thought: Colonialism, Race, Class, Women and Gender in the Life and Works of C.L.R. James and Aime Cesaire

    … of the lives and works of C.L.R. James and Aimé Césaire. There are four main goals here: (1) to introduce the trajectory and nuances of the Black radical tradition by way of the contributions of these two contemporaries, (2) to explore the varying expressions of these ideas through the span …

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  4. Creolizing the canon: engagements with legacy and relation in contemporary postcolonial Caribbean writing

    … in the works of Una Marson, Alejo Carpentier, Aimé Césaire, Édouard Glissant, Gisèle Pineau, and Shani Mootoo; while the more direct canonical rewritings of Maryse Condé and Derek Walcott are the subject of Chapter Four. Behind these readings of the contemporary Caribbean canon lies a …

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