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Showing 1 to 20 of 38 for “"African music"”.

  1. African music and its use in the school: an investigation

    … to investigate the educational possibilities of African music in all schools. To the best of the author's knowledge, African music is almost completely ignored in most non-African schools in South Africa, and where it is taught, the essential elements which make the music "African" are almost …

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  2. African music and its use in the school: an investigation

    … to investigate the educational possibilities of African music in all schools. To the best of the author's knowledge, African music is almost completely ignored in most non-African schools in South Africa, and where it is taught, the essential elements which make the music "African" are almost …

    cape-town Repository record for African music and its use in the school: an investigation (opens in a new tab)

  3. African music in the Methodist Church of Southern Africa : a case study in the Western Cape

    This study is an appraisal of African Music within the Methodist Church of Southern Africa with particular reference to the Western Cape. I develop and amplify a pilot study 4 in order to provide a model for further research into African Music in the Methodist Church of Southern Africa. The subject …

    cape-town Repository record for African music in the Methodist Church of Southern Africa : a case study in the Western Cape (opens in a new tab)

  4. Dizu Zungula Mzikantu Plaatjies: Converging worlds of African Music at the University of Cape Town, 1992-2024

    … Mzikantu Plaatjies, Emeritus Professor of African Music Performance at the University of Cape Town, is among South Africa’s foremost traditional artists and cultural historians. As the founder and leader of South Africa’s globally celebrated ensembles, Amampondo and Ibuyambo, Plaatjies has …

    stellenbosch Repository record for Dizu Zungula Mzikantu Plaatjies: Converging worlds of African Music at the University of Cape Town, 1992-2024 (opens in a new tab)

  5. How can emerging technology remedy the deficiency in robust enforcement mechanisms for digital copyright infringement within the South African music industry?

    … digital copyright infringement within the South African music industry, which constant technology developments have worsened. The emergence of technology has been a dual-edged sword for the music industry. While it empowers musicians to reach vast consumers, it simultaneously simplifies and …

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  6. Challenges of mainstreaming indigenous African music at intermediate phase (Grades 4-6) in South African primary schools: A Case Study of three schools in Gauteng Province, South Africa

    Since its inception, the study of music in South African schools has been fashioned on Western Classical models. The change in orientation from the Eurocentric to the Afrocentric approach required that indigenous African music be accorded space in the curriculum. This study explores challenges in …

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  7. Sekgapa : a culture-based study of a musical tradition of BaPedi women of Mailula, Mmamabolo district, Limpopo Province, South Africa

    … a culture-based study of BaPedi women's Sekgapa Music.The Preface presents the topic, the research environment and methodology, a review of the existing literature, fieldwork 'protocol' and a synopsis of the first recording events. Chapter 1 provides a historical background to the music, whose …

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  8. South African film music: representation of racial, cultural and national identities, 1931-1969

    The thesis examines the role of music in South African film pertaining to representation of identity of South African peoples and cultures, from the country's earliest sound films until the industry expansion of the 1970s. Chapter 1 contextualizes the study in relation to South African film and …

    cape-town Repository record for South African film music: representation of racial, cultural and national identities, 1931-1969 (opens in a new tab)

  9. Paul Simon's "Graceland" and its social and political statements on apartheid in South Africa.

    … during the apartheid. Simon's interest in South African music led him to record the album, which became a collaboration between South African popular music and American rock-and-roll music. Through the album, Simon makes a social statement, but because of the political issues within South Africa …

    baylor Repository record for Paul Simon's "Graceland" and its social and political statements on apartheid in South Africa. (opens in a new tab)

  10. The revival and revitalization of musical bow practice

    … think on events which stimulated my interest in African musical bows. I grew up in a rural area in the Eastern Cape, historical home of the Xhosa-speaking people, and in which so much Xhosa traditional music has always been actively practiced. It seems hard to believe that musical bow performance …

    cape-town Repository record for The revival and revitalization of musical bow practice (opens in a new tab)

  11. The revival and revitalization of musical bow practice in South Africa

    This dissertation is a formal study of musical bow revivals in South Africa, based on an assessment of the instruments' historical and current usage, and functions. This study is also the inevitable result of my responses to certain musical experiences during the past three years, and which …

    cape-town Repository record for The revival and revitalization of musical bow practice in South Africa (opens in a new tab)

  12. South African popular music of the 1980's and the role of the Graceland Project: A case of International (USA- RSA ) collaboration and co-production

    … day and mounted a cross-cultural, multinational music project called Graceland. Although South African popular music can facilitate the prosperity of musicians, only few musicians have succeeded in fostering this aspect. Using popular music and pop culture Afrocentrism as frameworks, this study …

    venda Repository record for South African popular music of the 1980's and the role of the Graceland Project: A case of International (USA- RSA ) collaboration and co-production (opens in a new tab)

  13. The South African clarinet concerto : An examination of the clarinet genre within the South African context

    In exploring the South African Clarinet Concerto, this discourse focusses on nine pieces that have been written within this genre and within the South African context. With this in mind, the aim is to look at each of these works, and then examine them from their points of origin, through to their …

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  14. African art music for flute: a study of selected works by African composers

    … an increase in the number of Western classical music performers actively programming works employing multi-cultural musical idioms. Though there exist many compositions by African composers, African art music is not often programmed by Western performers because of the lack of exposure these …

    lsu-thes Repository record for African art music for flute: a study of selected works by African composers (opens in a new tab)

  15. Music development and hearing impairment : a case study of Evelyn Glennie

    … aims to create an awareness amongst South African music educators about the musical potential of the hearing impaired. The qualitative research design included (a) structured and unstructured interviews with Evelyn Glennie, Lucinda Rutter, an educator of the hearing impaired, Ronel Davids, …

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  16. The business of live music in South Africa and the jazz musician

    … is to investigate how the business of music operates in the live music industry of South Africa in relation to the jazz musician;; also what systems are in place that assist, protect the rights of, and provide for, the jazz musician (bearing in mind that most jazz musicians double as …

    cape-town Repository record for The business of live music in South Africa and the jazz musician (opens in a new tab)

  17. Copyright in the music industry: the protection of artists' rights against exploitation in South Africa

    … once the biggest selling artists in the South African music industry have been witnessed to have no financial or other resources upon their death; or when they left the record labels they were signed to, their careers faded and they had nothing to their name. There have been numerous …

    cape-town Repository record for Copyright in the music industry: the protection of artists' rights against exploitation in South Africa (opens in a new tab)

  18. Music for classical guitar by South African composers : a historical survey, notes on selected works and a general catalogue

    This is the first comprehensive investigation of music for, or including, the classical guitar by South African composers. The focus of this research has been, firstly, to uncover as much of the repertoire as possible, and, secondly, to collate, study, catalogue and report on the information. A …

    cape-town Repository record for Music for classical guitar by South African composers : a historical survey, notes on selected works and a general catalogue (opens in a new tab)

  19. Music as Embodied Action: Interfacing autonomous systems and rhythmical expression

    … concerns a particular relationship between music practice, computer technology and the importance of rhythm as a vehicle of musical expression. The intention is to explore new technology to allow for computer-mediated improvisation of rhythmic forms that are derived from a consideration of …

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