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Showing 1 to 3 of 3 for “"1865-1939--Criticism and interpretation"”.

  1. Subversive pseudo-dialogic : W.B. Yeats's use of the dialogic to present the monologic.

    … dialogic provides unique insight into the poetry and plays of W.B. Yeats. Though this early twentieth century Irish writer favored poetry over the novel form on which Bakhtin based his studies, his compositions can be better understood and his intentions further elucidated in light of Bakhtin's …

    baylor Repository record for Subversive pseudo-dialogic : W.B. Yeats's use of the dialogic to present the monologic. (opens in a new tab)

  2. "Rosa alchemica," "The tables of the law," and "Adoration of the magi," edited and with an introduction

    … "Rosa Alchemica," "The Tables of the Law," and "The Adoration of the Magi." Panned by critics over the last century, the three stories contained in this volume are both controversial and difficult. The introduction explains the language of occultists and alchemists in terms of Jungian …

    eastern-wash Repository record for "Rosa alchemica," "The tables of the law," and "Adoration of the magi," edited and with an introduction (opens in a new tab)

  3. The Hindu concept of pure consciousness in the poetry of pure consciousness in the poetry of Juan Ramón Jiménez, Rabindranath Tagore, and W. B. Yeats: a comparative study

    … of Juan Ramón Jiménez, Rabindranath Tagore, and W. B. Yeats. The main emphasis of the study is on affinities and influences—a product of shared values, contacts and cross-fertilizations. The poetry of these three artists strongly parallels the psychology and philosophy of Vedanta, which is …

    binghamton Repository record for The Hindu concept of pure consciousness in the poetry of pure consciousness in the poetry of Juan Ramón Jiménez, Rabindranath Tagore, and W. B. Yeats: a comparative study (opens in a new tab)