Global ETD Search
Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.
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Showing 1 to 9 of 9 for “"1833-1897"”.
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The Creative Art of Clara Schumann (1819-1896)
… she premiered new works by Johannes Brahms (1833-1897), Frederic Chopin (1810-1847) and Robert Schumann (1810- 1856), as well as performances of several sonatas by Beethoven that had never been heard publicly. Thus she helped to create a wide and appreciative audience for these works. Her …
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Performing Brahms: Rediscovering expressive devices in the sonatas for violin and piano
… Sonatas for Violin and Piano of Johannes Brahms (1833-1897) accompanied by an explanatory exegesis. These works are some of the most performed and recorded in the repertoire, however modem performance practice has been influenced by over a century of changing styles and tastes in violin playing. …
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A Historiography of Musical Historicism: The Case of Johannes Brahms
Johannes Brahms (1833-1897) lived in an epoch marked by the 1848 revolution that precipitated social, cultural, and economical changes. In the realm of music, the extension of concert repertory to music of the past, and the emergence of historical writings reflected a greater awareness of music …
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A Historiography of Musical Historicism: The Case of Johannes Brahms
Johannes Brahms (1833-1897) lived in an epoch marked by the 1848 revolution that precipitated social, cultural, and economical changes. In the realm of music, the extension of concert repertory to music of the past, and the emergence of historical writings reflected a greater awareness of music …
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Graduate recital: Brandon Whitish, baritone
1 PDF file (unnumbered pages)
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A Brief History of the Sonata with an Analysis and Comparison of a Brahms’ and Hindemith’s Clarinet Sonata
It was the purpose of this study to: (1) trace a brief history of the sonata up to the Classical period; and (2) analyze and compare Brahms' Sonata (E-flat major) for Clarinet and Piano, Op. 120, No. 2 to that of Hindemith's Sonate for Clarinet and Piano.
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The Fundamental Unity in Brahm's Horn Trio, Op. 40
Different sections or movements of a piece are associated with each other and contain the composer essential thought. A vague affinity of mood and a resembling theme or form testifies to the relationship. However, the evidence is insufficient to reveal the unification of the different sections or …
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Tom Stirzaker's Ph.D. Recital
Composers in the first Ph.D. recital: W. A. Mozart; Igor Stravinsky; Gioacchino Rossini
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Jane Womack's Graduate Recital
Composers in the first graduate recital: Johann Sebastian Bach; Ludwig van Beethoven; Franz Liszt; Johannes Brahms; Frederic Chopin