Global ETD Search
Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.
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Showing 1 to 11 of 11 for “"1756-1791"”.
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The Influence of Freemasonry on Some of the Music of Wolfgang Amadeus Mozart
There is considerable evidence to indicate that the Fraternity of Freemasonry exerted creative impulses to some of the music of Wolfgang Mozart, subsequent to 1784. This study shows that Mozart, by virtue of his membership in the Order, was sufficiently impressed with benevolences and spiritual …
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Doctoral thesis recital (violin (lecture))
Cadenza writing for performers : Mozart Violin concerto in D major, K. 218
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An Analysis and Interpretation of Three Vocal Works for Soprano from Eighteenth, Nineteenth and Twentieth Centuries
It was the purpose of this study to establish a musical and artistic interpretation of three vocal compositions by three composers: Wolfgang Amadeus Mozart, Henri Duparc, and Anton Webern.
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Gabrieal Gonzales's Graduate Recital
Composers in the graduate recital: W. A. Mozart; Robert Schumann; Gerald Finzi
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Tom Stirzaker's Ph.D. Recital
Composers in the first Ph.D. recital: W. A. Mozart; Igor Stravinsky; Gioacchino Rossini
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Wan Kyu Chung's Graduate Recital
Composers in the first graduate recital: Ludwig van Beethoven; Claude Debussy; Sergei Prokofieff
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Kenneth Javier Iyescas' Graduate Recital
Composers in the first graduate recital: Bernard Heiden; Eugene Bozza; Wolfgang Amadeus Mozart; Vaclav Nelhybel
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The Theme and Variations as Used by Four Important Piano Composers in Four Periods of Music History
The intent of this study was to give a brief background and history of the theme and variations in early periods of music history, as well as to analyze more specifically and compare in some depth the use of the form by four composers of later periods, in a keyboard work of each. Each of the …
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An Analysis of the Styles of C. Saint-Saëns and W. A. Mozart with Emphasis on Their Clarinet Compositions
This paper has represented an effort by the writer to learn something about two major clarinet compositions and about their composers, and to provide for the readers of this paper a means of better understanding Wolfgang Mozart and Camille Saint-Saëns and their clarinet compositions. The study of …