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University of Leeds

En/gendering representations of childbirth in fifteenth-century Franco-Flemish devotional manuscripts

Abstract

dc:description.abstract

Representationso f childbirth in fifteenth-century devotional and historical manuscripts are invariably depicted as postpartum confinement scenes in a domestic interior. These images appear to show a `gendered space' in which women care for each other and men are marginalized. Neglected by medieval art historians, such pictures have been uncritically used by historians of obstetric and social history to prove that childbirth was the one time when medieval women exercised power and control in an otherwise patriarchal society. However, as with all historical evidence, these images do not offer us unmediated access to the past. This thesis brings these domestic postpartum pictures of childbirth to the centre of an art historical enquiry by undertaking a survey of this iconography in some fifty fifteenth-century manuscripts and incunables. Since the occurrence of this generic iconography cannot be consistently associated with female spectators, it has been necessary to reassess in what way they might be en/gendered: how they were received by their original viewers (male and female) and how we can bring them into meaning as sources for reconstructing the lives of medieval women. To avoid equating these images with reality and reducing the female sex at large to the maternal function, I develop a methodology to show how the social viewing positions occupied by certain spectators would have rendered them sensitive to images of maternity and childbirth. Specifically, I argue that the images of childbirth in a group of fifteenth-century Books of Hours made for male and female members of the houses of Anjou and Brittany would have been seen with a `situational eye' that was informed by the requirements of patriarchal, aristocratic families, and by the dangers surrounding childbirth. My thesis demonstrates that this situational eye can be extended beyond the field of art history to show how other sources from fifteenth-century childbearing such as charms, lying-in, and churching, can be brought into meaning for the women whose social position required them to conceive and give birth to male heirs.

Degree

thesis:*
Name dc:type.qualificationname
Ph.D
Level dc:type.qualificationlevel
doctoral
Grantor dc:publisher.institution
University of Leeds
Year dc:date.issued
2003

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • L'Estrange, Elizabeth
Advisors dc:contributor.advisor
  • Hughes, Tony
  • Frojmovic, Eva

Identifiers

dc:identifier.*
Identifier
uk.bl.ethos.513952
OAI identifier oai:identifier
oai:etheses.whiterose.ac.uk:290

Chain of custody

source
Harvested from
White Rose University Consortium
Base URL
etheses.whiterose.ac.uk/cgi/oai2
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

L'Estrange, Elizabeth. En/gendering representations of childbirth in fifteenth-century Franco-Flemish devotional manuscripts. doctoral thesis, University of Leeds, 2003.