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Virginia Tech

Architecture as a creative will in the a-tectonic aesthetic order: (an architecture-theoretical inquiry according to Friedrich Nietzsche's concept of order)

Abstract

dc:description.abstract

The thesis participates in the critical evaluation of the modernist concept of 'homogenizing of cultural differences', and in the narrower architectural context against the idea of the type, module, and system. Although the thesis is as such a part of the post modernist demand for an emphasis of cultural heterogeneity which is characterized by a newly understood responsibility of creative acting and 'otherness', the inquiry suggests an opposed approach to the handling of such creative tension and propounds that the pantheistic and deterministic culture can be interrupted actively by an concept of order according to competitive individual expression. Pertaining to architecture, the deep suspicion towards systematization and rationalization is expressed in the rejection of the 'type in architecture' which leads to a critique of an architecture which has its essence in structure. The thesis recognizes the materialist tectonic principle as a manifestation which tries to find its justification in the oneness of man with nature; moreover, such an architectural understanding tends to make the various individual forces evolve to a norm. The thesis dismisses such a motivation and argues that man aims towards the expression of architectural symbols which spring immediately from the creator's character and manifest man's image of his values and his place in the universe. The thesis further argues that the a-tectonic 'will to form' acts through the contest of individuals and that the creation of architecture is supported by the 'Dionysian' cognitive qualities of the architectural material space.

Degree

thesis:*
Name thesis:degree_name
Master of Architecture
Level thesis:degree_level
masters
Discipline thesis:degree_discipline
Architecture
Department dc:contributor.department
Architecture
Grantor dc:publisher
Virginia Tech
Year dc:date.issued
1994

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Breitschmid, Markus
Chair dc:contributor.committeechair
  • O'Brien, Michael J.
Committee members dc:contributor.committeemember
  • Daniel, Ronald W.
  • Gartner, Howard Scott

Rights

dc:rights
Statement dc:rights
  • In Copyright
Language dc:language.iso
en

Identifiers

dc:identifier.*
Dc Identifier Other
etd-06302009-040455
OAI identifier oai:identifier
oai:vtechworks.lib.vt.edu:10919/43508

Chain of custody

source
Harvested from
Virginia Tech
Base URL
vtechworks.lib.vt.edu/oai/request
Last updated
2026-07-22
Source record
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related terms
citation

Breitschmid, Markus. Architecture as a creative will in the a-tectonic aesthetic order: (an architecture-theoretical inquiry according to Friedrich Nietzsche's concept of order). masters thesis, Virginia Tech, 1994. http://hdl.handle.net/10919/43508