Abstract
dc:description.abstractThe question of genre may be unimportant when writing or reading fiction, but the marketplace continues to draw those dividing lines. Moreover, there are tropes and techniques to be learned from each discrete genre of fiction. The creative portion of this thesis consists of the first four chapters of Brian Beise’s novel, Brawn. The introductory essay discusses the divisions of literary and genre fiction, and describes how borrowing elements from various genres informed the writing of Brawn.
Degree
thesis:*- Grantor dc:publisher
- University of Tennessee at Chattanooga
- Year dc:date.available
- 2016
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Beise, Brian
- Contributors dc:contributor
-
- Baker, Sybil
- Balazs, Thomas; Ventura, Abbie
- College of Arts and Sciences
Subjects
dc:subject × 1Rights
dc:rights- Language dc:language
- English, eng
Identifiers
dc:identifier.*- Repository record dc:identifier
- https://scholar.utc.edu/theses/155
- OAI identifier oai:identifier
- oai:scholar.utc.edu:theses-1290