No Slip-Shod Muse: A Performance Analysis of Some of Susanna Centlivre's Plays

In 1982, Richard C. Frushell urged the necessity for a critical study of Susanna Centlivre's plays. Since then, only a handful of books and articles briefly discuss herand many attempt wrongly to force her into various critical models. Drawing on performativity models, my reading of several Centlivre plays (Love's Contrivance, The Gamester, The Basset-Table and A Bold Stroke for a Wife) asks the question, "What was it like to see these plays in performance?" Occupying somewhat uneasy ground between literature and theatre studies, I borrow useful tools from both, to create what might be styled a New Historicist Dramaturgy. I urge a re-examination of the period 1708-28. The standard reading of theatre of the period is that it was static. This "dry spell" of English theatre, most critics agree, was filled with stock characters and predictable plot lines. But it is during this so-called "dry spell" that Centlivre refines her stagecraft, and convinces cautious managers to bank on her work, providing evidence that playwrights of the period were subtly experimenting. The previous trend in scholarship of this cautious and paranoid era of theatre history has been to shy away from examining the plays in any depth, and fall back on pigeonholing them. But why were the playwrights turning out the work that they did? What is truly representative of the period? Continued examination may stop us from calling the period a "dry spell." For that purpose, examining some of Centlivre's early work encourages us to avoid the tendency to study only a few playwrights of the period, and to avoid the trap of focusing on biography rather than text. I propose a different kind of aesthetic, stemming from my interest in the text as precursor to performance. Some of these works may not seem fertile ground for theorists, but discarding them on that basis fails to take into account their original purpose: to entertain.

Grantor dc:publisher

University of North Texas

Year dc:date

2000

Author dc:creator

• Herrell, LuAnn R. Venden

Contributors dc:contributor

• Preston, Thomas R.
• Pettit, Alexander
• Vanhoutte, Jacqueline, 1968-

• Centlivre, Susanna, 1667?-1723 -- Criticism and interpretation.
• Theater -- Great Britain -- History -- 18th century.
• Susanna Centlivre
• The Gamester
• new historicism
• drama

Statement dc:rights

• Public
• Copyright
• Herrell, LuAnn R. Venden
• Copyright is held by the author, unless otherwise noted. All rights reserved.

Language dc:language

English

Identifier

oclc: 47178527
untcat: b2300518
https://digital.library.unt.edu/ark:/67531/metadc2524/
ark: ark:/67531/metadc2524

OAI identifier oai:identifier

info:ark/67531/metadc2524