The use of cropping and the generation of sublime affect [sic] in painting, as applied in the author's suite of paintings based on water views entitled distance

Hewish, Andrew

Back to search

UNSW, Sydney

The use of cropping and the generation of sublime affect [sic] in painting, as applied in the author's suite of paintings based on water views entitled distance

dc:creator Hewish, Andrew

dc:date2003

Degree

thesis:*

Grantor dc:publisher: UNSW, Sydney
Year dc:date: 2003

Author and committee

dc:creator, dc:contributor.*

Author dc:creator: Hewish, Andrew

Subjects

dc:subject × 2

Rights

dc:rights

Statement dc:rights: metadata only access

CC BY-NC-ND 3.0
Licence: http://purl.org/coar/access_right/c_14cb

https://creativecommons.org/licenses/by-nc-nd/3.0/au/
Language dc:language: EN

Identifiers

dc:identifier.*

Handle dc:identifier: http://hdl.handle.net/1959.4/60912
OAI identifier oai:identifier: oai:unsworks.library.unsw.edu.au:1959.4/60912

Chain of custody

source

Harvested from: University of New South Wales
Base URL: unsworks.unsw.edu.au/oai/provider
Last updated: 2026-07-24
Source record: OAI-PMH GetRecord

related terms

citation

Hewish, Andrew. The use of cropping and the generation of sublime affect [sic] in painting, as applied in the author's suite of paintings based on water views entitled distance. UNSW, Sydney, 2003. http://hdl.handle.net/1959.4/60912

The use of cropping and the generation of sublime affect [sic] in painting, as applied in the author's suite of paintings based on water views entitled distance

Degree

Author and committee

Subjects

Rights

Identifiers

Chain of custody

More from University of New South Wales