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University of Nevada, Las Vegas

You: A study of second-person narrative in two postmodern novels

Abstract

dc:description.abstract

This study analyzes the use of second-person narrative in postmodern fiction, both in terms of narrative mechanics and in relation to certain theories of how fiction is able to represent--and misrepresent--the empirical world. The two works examined in this study, Italo Calvino's If on a winter's night a traveler and Thomas Pynchon's Gravity's Rainbow, exemplify this narrative form and, taken together, seem to exhaust its possibilities; A primary concern of this study, therefore, is to articulate these possibilities, but not merely for the sake of creating a taxonomy. Rather, this study examines how the use of second-person narrative in the two novels both corresponds with and subverts a number of critical approaches. In the process, this study asserts that the second person, as used in postmodern fiction, participates in the larger postmodern program of destabilizing traditional ontological boundaries, especially that separating the fictive world from the real.

Degree

thesis:*
Name thesis:degree_name
Master of Arts (MA)
Level thesis:degree_level
Thesis
Discipline thesis:degree_discipline
English
Grantor dc:publisher
University of Nevada, Las Vegas
Year
1998

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Breene, Thomas E
Contributors dc:contributor
  • Timothy Erwin

Rights

dc:rights
Statement dc:rights
  • IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/
Language dc:language
English

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:oasis.library.unlv.edu:rtds-1965

Chain of custody

source
Harvested from
University of Nevada - Las Vegas
Base URL
oasis.library.unlv.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

Breene, Thomas E. You: A study of second-person narrative in two postmodern novels. Thesis thesis, University of Nevada, Las Vegas, 1998. https://doi.org/10.25669/u6t5-bruj