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University of Missouri--Kansas City

The Boundaries of Femininity: A Case for Two Women Artists Working in Eighteenth-century France

Abstract

dc:description.abstract

Elisabeth Vigée-Lebrun and Adélaïde Labille-Guiard were two of the most prominent women artists in France during the second half of the eighteenth-century. I argue in this thesis that in their responses to a range of societal limitations, Vigée-Lebrun and Labille- Guiard forged remarkable careers. I will examine just how they did so by focusing on the artists’ self-portraits, their portraits of the royal family, divergent responses to the revolution, and their subsequent production. My thesis will explore the ways in which those limitations also created opportunities. Most studies on women artists are monographic, but by comparing Vigée-Lebrun’s and Labille-Guiard’s careers, new insights emerge. The first chapter will provide the background for my argument by discussing the long-debated “woman question.” I focus my study on how women artists navigated their careers. Juxtaposing the careers of Vigée-Lebrun and Labille-Guiard with their contemporary, Jacques-Louis David, shows how societal constructs of gender impacted the different ways in which careers unfolded. In the second chapter I discuss Vigée-Lebrun’s and Labille-Guiard’s self-portraits. I explore how the artists capitalized on different aspects of societal ideals. In the third chapter I focus on the artists’ representations of members of the royal family. Focusing on Vigée-Lebrun’s innovative portrayal of Marie Antoinette and Labille-Guiard’s more traditional, yet remarkable portrait of Madame Adelaide, I will show how each artist employed different strategies in order to succeed. In the fourth chapter I contrast each artist’s response to the revolution and describe how it affected their production in the later stages of their careers.

Degree

thesis:*
Name thesis:degree_name
MA (Master of Arts)
Level thesis:degree_level
Masters
Discipline thesis:degree_discipline
Art and Art History (UMKC)
Grantor
University of Missouri--Kansas City
Year dc:date.issued
2015

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Foley, Pamela Jean
Advisor dc:contributor.advisor
  • Ziskin, Rochelle

Rights

dc:rights
Statement dc:rights
  • Open Access (fully available)
Language dc:language.iso
eng, English

Identifiers

dc:identifier.*
Handle dc:identifier.uri
https://hdl.handle.net/10355/48341
OAI identifier oai:identifier
oai:mospace.umsystem.edu:10355/48341

Chain of custody

source
Harvested from
University of Missouri - Kansas City
Base URL
mospace.umsystem.edu/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

Foley, Pamela Jean. The Boundaries of Femininity: A Case for Two Women Artists Working in Eighteenth-century France. Masters thesis, University of Missouri--Kansas City, 2015. https://hdl.handle.net/10355/48341