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University of Illinois at Urbana-Champaign

1. A study of the transcendental aesthetic theories of John S. Dwight and Charles E. Ives and the relationship of these theories to their respective work as music critic and composer. 2. Three Pieces for the New Zion (original composition)

Abstract

dc:description

Made available in DSpace on 2014-12-11T17:21:03Z (GMT). No. of bitstreams: 1 7206879.pdf: 10672132 bytes, checksum: 5ac7d27637d2c6cc5f1b00168208049d (MD5) Previous issue date: 1971

Degree

thesis:*
Name thesis:degree_name
D.M.A.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
Music
Grantor
University of Illinois at Urbana-Champaign
Year dc:date
2014

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Call, William Anson

Subjects

dc:subject × 1

Identifiers

dc:identifier.*
Identifier
(UMI)AAI7206879
OAI identifier oai:identifier
oai:www.ideals.illinois.edu:2142/64422

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
related terms
citation

Call, William Anson. 1. A study of the transcendental aesthetic theories of John S. Dwight and Charles E. Ives and the relationship of these theories to their respective work as music critic and composer. 2. Three Pieces for the New Zion (original composition). Dissertation thesis, University of Illinois at Urbana-Champaign, 2014. http://hdl.handle.net/2142/64422