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University of South Wales

Depictions of space and place in contemporary ghost novels: Fostering the uncanny and reflecting social identities and relationships

Abstract

dc:description.abstract

This thesis explores depictions of space and place in contemporary ghost novels, relating this to two of my own novels, The Toll House (2022) and Hear Him Calling (2024). In particular, I ask the following questions: How can depictions of space and place foster a sense of the uncanny in contemporary ghost novels? How can depictions of space and place reflect social identities and relationships in contemporary ghost novels? <br/><br/>The introduction describes my interest in space and place, and explains my focus on the uncanny and social identities and relationships. It introduces the two comparative texts that will be explored alongside my own work (Michelle Paver’s Dark Matter [2010] and Laura Purcell’s The Silent Companions [2017]) and considers the multidisciplinary literature of relevance to my research questions. Specific attention is paid to the concepts of ‘space’ and ‘place’, Freud’s discussion of the uncanny, and feminist critiques of ghost stories as a means of depicting social issues.<br/><br/>Chapter One focuses on haunted internal space with specific reference to The Toll House and The Silent Companions. It includes discussions of liminal and tomb-like spaces, perceptions of the home, inanimate objects appearing to become animate, and the related concept of doubles. I argue that the death mask in The Toll House acts as a proxy for character and is a means by which the dead infiltrate the spatial world of the living.<br/><br/>Chapter Two focuses on haunted external spaces and structures left open to the elements (ruins) with specific reference to Hear Him Calling and Dark Matter. It includes discussions of isolation and disorientation, dangerous landscapes, trauma and repetition, and women’s bodies as space. I argue that depictions of space and place reflect the cyclical trauma of my characters and the psychological nature of the novel.<br/><br/>In the conclusion I argue that haunted space is distinctive on account of its potential for agency, animation and infiltration by spirits of the dead. I consider how I use place and space differently in The Toll House and Hear Him Calling, reflecting the differences between the two novels, specifically in relation to plot and psychology of the characters. Finally, I reflect on what I have learned and how this has shaped the writing of my third novel, The Infirmary (2025). <br/>

Degree

thesis:*
Name dc:type.qualificationname
Doctoral Thesis
Level dc:type.qualificationlevel
Student thesis
Year dc:date.issued
2025

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Reagon, Carolyn
Advisors dc:contributor.advisor
  • Wallace, Diana
  • Llewelyn, Barrie

Rights

Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
oai:pure.atira.dk:studenttheses/7beb3444-0701-44ca-b416-a22d2984a1b4
OAI identifier oai:identifier
oai:pure.atira.dk:studenttheses/7beb3444-0701-44ca-b416-a22d2984a1b4

Chain of custody

source
Harvested from
University of South Wales
Base URL
pure.southwales.ac.uk/ws/oai
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Reagon, Carolyn. Depictions of space and place in contemporary ghost novels: Fostering the uncanny and reflecting social identities and relationships. Student thesis thesis, 2025. https://pure.southwales.ac.uk/en/studentTheses/7beb3444-0701-44ca-b416-a22d2984a1b4