Cartografía del concepto estético. Nuevos marcos de aprendizaje del arte actual

[EN] How to approach the art when it is no longer tied to a particular society , but reflects the influence of multi- cultural and global economic forces ? How to be joining the art circuit when we do not have the tools ? How to understand the artistic products when we have access to their consumption? Do we have formed clear opinions and our tastes ? Why is it so complicated today contextualize an artist , to make sense of raising or memorize your activity? Do we invest the time to develop our perception of an individual and thoughtful way ? These are some of the questions we pose to start our research , given that many professionals from different fields analyze the current situation of art , propose changes or implement different forms of action. Describe strategies for learning and participation in the contemporary art world is very necessary if we are to preserve the creative activity and its benefits in human behavior and should be now more than a pattern of work for a small number of researchers , especially when the economic globalization is changing at will and for their benefit structure of the art institution and the activities of the cultural field . In this context the thesis of aesthetic concept mapping arises , a theoretical and practical research that deals with the study of the special situation of the art world today as well as the pedagogical and psychological advances in the social sciences that have helped to clarify the fundamental concepts associated with the artistic experience today. The thesis also proposes a mapping method as a learning framework to focus the individual's thoughtful look at contemporary art. The theoretical body of research has been structured into a first volume with three chapters that address the fundamental contents of the thesis, together with the literature consulted in each chapter. In addition , the scale of development , we have produced a second volume entitled Annexes to Section 3.3 , where three appendices are included with extensive documentary information necessary to understand the process followed and the implementation of the mapping method we propose . Finally, it has developed the website where materializes and applies the model - based mapping we provide.

Author

• Martín Asensio, Úrsula

• Contemporary Art
• Aesthetics
• Tesis y disertaciones académicas
• Universidad de Salamanca (España)
• Academic Dissertations
• Arte contemporáneo
• Estética

Identifier

hdl:10366/122999

OAI identifier oai:identifier

oai:gredos.usal.es:10366/122999