Back to search

Queen's University Belfast

Improvisation and compressibility as complementary methods of generating and controlling musical material in notated composition

Abstract

dc:description.abstract

The works included in this portfolio are linked by their exploration of two specific concepts, namely the use of improvisation as a part of the composition process, and the use of a concept termed compressibility to moderate the creation and development of musical materials. <br/><br/>Improvisation, carried out exclusively by the composer, is used as a core practice throughout the composition process. In other words, it is used both to generate raw material, and to develop and refine this material into fixed and fully-notated compositions. <br/><br/>The works of this portfolio explore this process in relation to pieces ranging from short solos to large-scale ensemble compositions. Compressibility relates to a specific assessment of material, whether improvised or not, which considers its information content and rate of change along harmonic and rhythmic axes. This assessment is used to guide the harmonic and rhythmic direction of a composition, both during the above improvisatory processes and during the process of composing in general. <br/><br/>This text is divided into three main chapters: the first sets out the specific details of the improvisation-based composition methods used; the second defines and explains the concept of compressibility; the third then presents a specific commentary on each piece of the portfolio. Below is a list of the works of the portfolio, followed by an index of recordings. Where a recording is not available, a computer-generated realisation of the piece is instead included.

Degree

thesis:*
Name dc:type.qualificationname
Doctor of Philosophy
Level dc:type.qualificationlevel
Doctoral Thesis
Grantor dc:publisher.institution
Queen's University Belfast
Year dc:date.issued
2019

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Coyle, Stephen
Advisor dc:contributor.advisor
  • Mawhinney, Simon

Subjects

dc:subject × 5

Rights

Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
oai:pure.qub.ac.uk/portal:studenttheses/c14bcc19-bb76-4d27-ab34-1a5d13ad2f95
OAI identifier oai:identifier
oai:pure.qub.ac.uk/portal:studenttheses/c14bcc19-bb76-4d27-ab34-1a5d13ad2f95

Chain of custody

source
Harvested from
Queen's University Belfast
Base URL
pureadmin.qub.ac.uk/ws/oai
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Coyle, Stephen. Improvisation and compressibility as complementary methods of generating and controlling musical material in notated composition. Doctoral Thesis thesis, Queen's University Belfast, 2019. https://pure.qub.ac.uk/en/studentTheses/c14bcc19-bb76-4d27-ab34-1a5d13ad2f95