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Canvas politics: Norman Lewis and the art of Abstract Resistance

Abstract

dc:description.abstract

<p>Norman Lewis (1909-1979) is best remembered, perhaps erroneously, as the first African American Abstract Expressionist. In this dissertation, I argue that he is better suited as a Social Abstractionist and an Abstract Allusionist based on the life he lived, the work he produced, and his involvement in both black art and the Abstract Expressionist movement. ^ I begin by presenting a comprehensive overview of Lewis' biography and oeuvre. Painting from the 1930s to the late 1970s, his aesthetic sensibilities can be categorized into three distinct phases: 1) in the 1930s, answering to the call for a new presentation of the Negro, Lewis, under the guidance of philosopher Alain Locke, painted in a style commonly associated with Social Realism; 2) in his second phase starting in the mid-1940s, Lewis, disillusioned with the inefficiency of painting Social Realist works, begin transitioning into a more abstract style of figuration; 3) in the final phase of his career from 1946 to the time of his death, Lewis worked on a series of fully abstracted paintings for which he became best known. During this time, Lewis developed his own symbolic language to present racially informed abstract paintings. My analysis will cover different ways to better understand Lewis' position and contribution to the post World War II art scene in America. To this end, I call him both a Social Abstractionist and an Abstract Allusionist. I posit that these terms give new contexts to Lewis' aesthetic, and demonstrate his innovations in fashioning his own complex cultural identity.</p>

Degree

thesis:*
Name thesis:degree_name
Doctor of Philosophy (PhD)
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
Philosophy
Year
2015

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Tan, Mindy H.M
Contributors dc:contributor
  • Leonard Harris
  • Joseph Dorsey
  • Catherine Dossin
  • Phoebe Farris

Subjects

dc:subject × 4

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:docs.lib.purdue.edu:open_access_dissertations-1534

Chain of custody

source
Harvested from
Purdue University
Base URL
docs.lib.purdue.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Tan, Mindy H.M. Canvas politics: Norman Lewis and the art of Abstract Resistance. Dissertation thesis, 2015. https://docs.lib.purdue.edu/open_access_dissertations/568