Investigations into bodily motion and space through centripetal force

The human body interacts with spatial and solid forms constantly: adapting, negotiating, and interacting. In the context of dance, set and costume design this interdependency between motion and form is given precedent whereas in architectural design, the form of space and structure is given priority over human bodies and their motions. Dance and performance artists have used designed objects to extend the spatial consequence of the body and its motions outside of the limb-defined kinesphere; artists have created sets and installations that serve as tools, as well as obstacles, for the body to negotiate. Experimentation with weighted cloth and rope extensions explored the limits and effects of the centripetal force resulting for the orbital motion of the object on the central body. This system serves both to extend the rotation of the body further out into space and to amplify the wobble of the spinning body.

Department dc:contributor.department

Massachusetts Institute of Technology. Department of Architecture.

Grantor dc:publisher

Massachusetts Institute of Technology

Year dc:date.issued

2005

Author dc:creator

• Brisson, Irene E. (Irene Elsa)

Advisor dc:contributor.advisor

• Ann M. Pendleton-Jullian.

• Architecture.

Statement dc:rights

• M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.

Licence dc:rights.uri

• http://dspace.mit.edu/handle/1721.1/7582

Language dc:language.iso

eng

Handle dc:identifier.uri

http://hdl.handle.net/1721.1/85820

OAI identifier oai:identifier

oai:dspace.mit.edu:1721.1/85820