Abstract
dc:description.abstractMusic is part of human culture and has been around for several thousand years. In spite of its strong emotional appeal, the history of this human characteristic, and the source of its allure remain elusive. This thesis is a report from the front lines of research into the origins of human music, presenting four popular scenarios for the source of music. Music is treated as a homolog for gibbon song, as a co-evolver with language, as a sexually selected adaptation and as a cultural artifact that elicits universally reaching, culturally exclusive emotional responses from listeners.
Degree
thesis:*- Department dc:contributor.department
- Massachusetts Institute of Technology. Graduate Program in Science Writing
- Grantor dc:publisher
- Massachusetts Institute of Technology
- Year dc:date.issued
- 2010
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Subbaraman, Nidhi
- Advisor dc:contributor.advisor
-
- Thomas Levenson.
Subjects
dc:subject × 1Rights
dc:rights- Statement dc:rights
-
- M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.
- Licence dc:rights.uri
- Language dc:language.iso
- eng
Identifiers
dc:identifier.*- Handle dc:identifier.uri
- http://hdl.handle.net/1721.1/60840
- OAI identifier oai:identifier
- oai:dspace.mit.edu:1721.1/60840