Charles Valentin Alkan: Interpreting the Composer’s use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium

Holden, Edward

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National University of Ireland Maynooth

Charles Valentin Alkan: Interpreting the Composer’s use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium

dc:creator Holden, Edward

dc:type.qualificationname phd

dc:date.issued2014

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search.dev.ndltd.org/etd/maynooth/oai:mural.maynoothuniversity.ie:5443

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Abstract

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There is no abstract for this thesis.

Degree

thesis:*

Name dc:type.qualificationname: phd
Level dc:type.qualificationlevel: doctoral
Grantor dc:publisher.institution: National University of Ireland Maynooth
Year dc:date.issued: 2014

Author and committee

dc:creator, dc:contributor.*

Author dc:creator: Holden, Edward

Subjects

dc:subject × 1

Music

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Language dc:language: en

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Harvested from: National University of Ireland - Maynooth
Base URL: mural.maynoothuniversity.ie/cgi/oai2
Last updated: 2026-07-24
Source record: OAI-PMH GetRecord

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citation

Holden, Edward. Charles Valentin Alkan: Interpreting the Composer’s use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium. doctoral thesis, National University of Ireland Maynooth, 2014.

Charles Valentin Alkan: Interpreting the Composer’s use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium

Abstract

Degree

Author and committee

Subjects

Rights

Chain of custody

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