Abstract
dc:description.abstractElectronic String Quartet #1 by Ted Smoker incorporates the expressiveness of live string performance with the sonic capabilities of music technology through the use of electronic effects processing. This piece incorporates pitch-set theory, polytonality, Lydian and Phrygian church modes, microtonal pitch sweeps, and percussive effects. The electronic effects used in the composition were reverb, delay with tempo control, tube-amplifier distortion, and flanger or filter sweep generator. It is intended to be played by five performers -- string instrumentalists and sound engineer. A notation for the electronic effects was invented to provide a clear, simple, and precise system for manipulating the effects in real-time.
Degree
thesis:*- Name thesis:degree_name
- MM
- Level thesis:degree_level
- Immediate Access
- Discipline thesis:degree_discipline
- Composition
- Year dc:date.available
- 2005
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Smoker, Theodore
- Contributors dc:contributor
-
- Lynn Purse
- Carole Riley
- Judith Bowman
- William Purse
Subjects
dc:subject × 7Rights
- Language dc:language
- English
Identifiers
dc:identifier.*- Repository record dc:identifier
- https://dsc.duq.edu/etd/1220
- OAI identifier oai:identifier
- oai:dsc.duq.edu:etd-2236