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University of Denver

Picturesque Portraiture: The Composition of Reality in Hawthorne, Melville, and James

Abstract

dc:description.abstract

<p>Throughout the nineteenth century, American artists were tangled in debates regarding the representation of reality. The Hudson River School of picturesque landscape painters tackled this dilemma with a compromise formula which used the real objects of nature to create ideal scenes. This dissertation applies the same picturesque formula to select examples of literary portraiture, studied under the concept of “picturesque portraiture.” Whereas the Hudson River compromise resulted in an ideal perception of reality, however, the picturesque portraits composed by nineteenth-century authors Nathaniel Hawthorne, Herman Melville, and Henry James attempt to invoke a non-idealized “actual” reality of the portrait subject’s person (though in the case of James, it is not reality itself which results, but the appearance of non-idealized “actual” reality).</p> <p>This integrative study of American literature and fine arts is situated within nineteenth-century epistemological thought, beginning with Ralph Waldo Emerson and his ideal theory, which sees the real as the ideal. Emerson’s ideal theory thus stands as the basis against which Hawthorne’s, Melville’s, and James’s epistemological thinking is measured, and to which they are responding in their attempts to render reality in literary portraiture. Each chapter addresses how these authors define reality and, through the application of picturesque portraiture, demonstrates how each uses the Hudson River’s compromise formula in literary portraiture to forward their own uses and conceptions of the picturesque and reality, respectively. This work helps acknowledge competing notions of reality throughout the nineteenth century as well as changing ideas about the image with the approach of modernism.</p>

Degree

thesis:*
Name thesis:degree_name
Ph.D.
Level thesis:degree_level
Dissertation
Year
2024

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Gattuso Densmore, Angela Michael
Contributors dc:contributor
  • Clark Davis
  • Ryan Perry
  • Eleanor McNees
  • Martin Bickman

Subjects

dc:subject × 10

Rights

dc:rights
Statement dc:rights
  • <p>Copyright is held by the author. User is responsible for all copyright compliance.</p>
Language dc:language
English (eng)

Identifiers

dc:identifier.*
Repository record dc:identifier
https://digitalcommons.du.edu/etd/2414
OAI identifier oai:identifier
oai:digitalcommons.du.edu:etd-3414

Chain of custody

source
Harvested from
University of Denver
Base URL
digitalcommons.du.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Gattuso Densmore, Angela Michael. Picturesque Portraiture: The Composition of Reality in Hawthorne, Melville, and James. Dissertation thesis, 2024. https://digitalcommons.du.edu/etd/2414