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University of Denver

Ethics in Kakadu (1988): Finding Djilile’s “True Tracks”

Abstract

dc:description.abstract

<p>Tasmanian-born Peter Sculthorpe (1929 – 2014) was one of Australia’s most iconic modernist classical composers of the twentieth century. <em>Kakadu</em> (1988) seems to have sparked the most controversy of Sculthorpe’s works and has become one of his most well-known pieces. In the program notes provided in the score’s foreword, Sculthorpe asserts that “the melodic material in <em>Kakadu</em>, as in much of my recent music, was suggested by the contours and rhythms of Aboriginal chant.” Sculthorpe attributed this melodic material to the Arnem Land chant, <em>Djilile</em>. Consequently, Sculthorpe has been criticized for extracting <em>Djilile</em> from its authentic context as an act of musical appropriation. The published arguments through Australian musicologists and composers such as Jonathan Paget, Amanda Harris, and Anne Boyd have analyzed the issue in terms of creative license. These arguments have also incorporated value judgments of Sculthorpe’s ethics and persona to underscore their reasoning. The purpose of this project is to complicate the discussion of <em>Djilile</em>in Sculthorpe’s music by situating its usage within Indigenous Australian copyright lawyer Dr. Terri Janke’s <em>True Tracks: Respecting Indigenous Knowledge and Culture</em> (2021) model and framework for respectful cultural exchange. The previous defenses of Sculthorpe’s work need to be re-examined in order to fit a more modern standard of respectful cultural interaction.</p>

Degree

thesis:*
Name thesis:degree_name
M.A.
Level thesis:degree_level
Masters Thesis
Year
2023

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Boyko, Natasia T.
Contributors dc:contributor
  • Zoe Weiss
  • Kelly Fayard
  • Sarah Morelli
  • Mitch Ohriner

Subjects

dc:subject × 14

Rights

dc:rights
Statement dc:rights
  • <p>Copyright is held by the author. User is responsible for all copyright compliance.</p>
Language dc:language
English (eng)

Identifiers

dc:identifier.*
Repository record dc:identifier
https://digitalcommons.du.edu/etd/2261
OAI identifier oai:identifier
oai:digitalcommons.du.edu:etd-3256

Chain of custody

source
Harvested from
University of Denver
Base URL
digitalcommons.du.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Boyko, Natasia T.. Ethics in Kakadu (1988): Finding Djilile’s “True Tracks”. Masters Thesis thesis, 2023. https://digitalcommons.du.edu/etd/2261