Black Quarterback, White Masks: A Critical Analysis of the NFL Anthem Protests

<p>The NFL anthem protests were and are an important cultural moment and social movement. The widespread emulation of the protest, and the adoption of the kneel as a symbol of unity, reverence, and silent objection demonstrates the protests’ continued relevance. This dissertation critically analyzes Colin Kaepernick’s protest through the lens of racial rhetorical criticism (Flores, 2016) and Fanonian communication studies (Towns, 2020). Through the case studies of David Brooks, Lee Siegel, and Colin Fleming, and their <em>New York Times</em> opinion pieces on Kaepernick from 2016-17, this study argues that the common discourses surrounding the protest exist within the strategic rhetoric of whiteness (Nakayama and Krizek, 1995). The analysis of these texts and of scholarly literature on the protests creates implications for racial rhetorical criticism, new materialism, and social movement rhetoric. This dissertation works to mark and incorporate whiteness into its analysis by critically questioning what constitutes the human. In this pursuit, this study articulates that Kaepernick’s body is used as a medium for the re-establishment of a Western subjectivity (Leong, 2016; Towns, 2019, 2020).</p>

Name thesis:degree_name

Ph.D.

Level thesis:degree_level

Dissertation

Year

2023

Author dc:creator

• Walizer, Cody

Contributors dc:contributor

• Darrin Hicks
• Thomas Nail
• Joshua Hanan
• Mary Claire Loftus

• Anthem
• Communication
• Fanon
• Kaepernick
• Media
• Protest
• Critical and Cultural Studies
• Social and Behavioral Sciences

Statement dc:rights

• <p>Copyright is held by the author. User is responsible for all copyright compliance.</p>

Language dc:language

en

Repository record dc:identifier

https://digitalcommons.du.edu/etd/2242

OAI identifier oai:identifier

oai:digitalcommons.du.edu:etd-3234