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The Graduate School and University Center of The City University of New York

Play for Mortal Stakes: Funerals as Modernist Acts of Fiction

Abstract

dc:description.abstract

<p>The purpose of this dissertation is to examine the ritualization of death in British literature of the interwar period and its implication for narrative and genre. The authors under consideration include poets of the Great War (Robert Graves, Charles Sorley, Isaac Rosenberg, the Sitwells), and later writers such as Katherine Mansfield, Aldous Huxley, Virginia Woolf, W. H. Auden, Ivy Compton-Bumett, and James Joyce. Using the methodology of ritual studies, an interdisciplinary approach combining the perspectives of religion, anthropology, and literary criticism, I examine how these texts create a fictive space in which death can be ritualized and how this process makes narrative meaning.</p> <p>The fictive space of the text becomes a space for survivors to discover or construct meaning where there may seem to be none. This ritual process may manifest itself in a number of ways: through parties, celebrations, and dinners, through storytelling, and through the presence of traditional elements of death ritual such as wakes and washing. These elements, and their use in the production of narrative meaning, are key in the poetry of the Great War. However, the ritual process may also fail, as it does in many texts I examine from the 1930s. This points to a failure in the attempt to give meaning to the life of an individual and to that dead person’s story, a failure which has implications for the construction of narrative.</p> <p>Further, the texts under study reveal the process of reinvention of ritual and tradition, and the intersection of past and present, through the deployment of spontaneous, transformative performance. I argue that this use of ritual subverts the use of genre, particularly those of romance and comedy, in my discussions of Mansfield, Woolf, Vera Brittain, and James Joyce. It is my hope that this focus on ritual in Modernist and interwar texts will provide a new perspective on the construction of narrative and genre, particularly in its relation to the representation of the individual, and the meaning granted that representation. </p>

Degree

thesis:*
Name thesis:degree_name
Doctor of Philosophy
Level thesis:degree_level
Doctoral
Discipline thesis:degree_discipline
English
Grantor
The Graduate School and University Center of The City University of New York
Year dc:date.available
2003

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Utell, Janine Marie
Advisor dc:contributor.advisor
  • Edmund L. Epstein
Committee members dc:contributor.committeemember
  • Mary Ann Caws
  • Gerhard Joseph

Subjects

dc:subject × 1

Identifiers

dc:identifier.*
Repository record dc:identifier
https://academicworks.cuny.edu/gc_etds/4296
OAI identifier oai:identifier
oai:academicworks.cuny.edu:gc_etds-5452

Chain of custody

source
Harvested from
City University of New York - Graduate Center
Base URL
academicworks.cuny.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Utell, Janine Marie. Play for Mortal Stakes: Funerals as Modernist Acts of Fiction. Doctoral thesis, The Graduate School and University Center of The City University of New York, 2003. https://academicworks.cuny.edu/gc_etds/4296