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The Graduate School and University Center of The City University of New York

<i>Presenciar el pasado</i>: Witnessing the Spanish and Argentine Dictatorships through Film and Television

Abstract

dc:description.abstract

<p>This dissertation explores the ways in which recent (1999–2017) films and television series ask today’s spectators to witness the 20<sup>th</sup>-century Spanish and Argentine dictatorships by analyzing these texts on both a narrative and technical level. I examine torture in the Argentine films<em> Garage Olimpo</em> (Marco Bechis, 1999), <em>Crónica de una fuga </em>(Andrés Caetano, 2006), and, from Spain, <em>La voz dormida</em> (Benito Zambrano, 2011). I also investigate the theme of disappearance as seen in two Spain-Argentina joint ventures, <em>Pasaje de vida</em> (Diego Corsini, 2015) and <em>Los pasos perdidos </em>(Manane Rodríguez, 2001), both of which portray how parental absence affects the children of the Argentine “disappeared” living in exile in Spain. I then assess how the relationship between sound and image appears as an unresolved tension in <em>El secreto de sus ojos</em> (Juan José Campanella, 2009) from Argentina and<em> La isla mínima </em>(Alberto Rodríguez, 2014) from Spain, as well as how these films appeal to spectators’ senses beyond vision and hearing. Finally, I determine how today’s viewers experience the past via current television dramas in the long-running Spanish series <em>Cuéntame cómo pasó</em> (Miguel Ángel Bernardeau, 2001–present) as well as in its Argentine adaptation (Patricia Moser and Gustavo Villamagna, 2017). I demonstrate how torture, disappearance, sensorial perception, and television correspond with four elements of spectatorship theory (masochism, suture, embodied spectatorship, and meta-witnessing) to provide a holistic viewing experience that appeals to mind and body, thereby overcoming the distancing effects of time and representation.</p>

Degree

thesis:*
Name thesis:degree_name
Doctor of Philosophy
Level thesis:degree_level
Doctoral
Discipline thesis:degree_discipline
Latin American, Iberian and Latino Cultures
Grantor
The Graduate School and University Center of The City University of New York
Year dc:date.available
2019

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Jacobs, Kristina L.
Advisor dc:contributor.advisor
  • Paul Julian Smith
Committee members dc:contributor.committeemember
  • Isolina Ballesteros
  • Silvia Dapía

Subjects

dc:subject × 3

Identifiers

dc:identifier.*
Repository record dc:identifier
https://academicworks.cuny.edu/gc_etds/3213
OAI identifier oai:identifier
oai:academicworks.cuny.edu:gc_etds-4229

Chain of custody

source
Harvested from
City University of New York - Graduate Center
Base URL
academicworks.cuny.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Jacobs, Kristina L.. <i>Presenciar el pasado</i>: Witnessing the Spanish and Argentine Dictatorships through Film and Television. Doctoral thesis, The Graduate School and University Center of The City University of New York, 2019. https://academicworks.cuny.edu/gc_etds/3213