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The Graduate School and University Center of The City University of New York

Performing Blackness in a Mulatto Society: Negotiating Racial Identity through Music in the Dominican Republic

Abstract

dc:description.abstract

<p>My dissertation analyzes Dominican racial and ethnic identity through an examination of music and music cultures. Previous studies of Dominican identity have focused primarily on the racialized invention of the Dominican nation as white, or non-black, often centering on the building of Dominican identity in (sometimes violent) opposition to the Haitian nation and to Haitian racial identity. I argue that although Dominicans have not developed an explicit verbal discourse of black affirmation, blackness (albeit a contextually contingent articulation) is embedded in popular conceptions of dominicanidad ("Dominicanness") and is enacted through music. My dissertation explores ways in which popular notions of dominicanidad are negotiated and ways in which they align with or diverge from official elite notions of national identity, particularly in relation to blackness. By analyzing the evolution of Afro-Dominican genres of music in the last half of the twentieth century and by studying urban pro-black social movements, I reveal a more complex Dominican identity than has generally been acknowledged. For example, I explore the movement of previously marginalized Afro-Dominican music (e.g., the music of Vudú) from strictly rural and ceremonial settings to more urban locations and even into dance clubs as a form of popular music, in the process changing the practice of defining ethnic and religious identities. Other chapters explore recent urban music influenced by hip-hop and Jamaican dancehall, which has vindicated an emerging--if still somewhat controversial--positive Dominican attitude towards blackness. </p>

Degree

thesis:*
Name thesis:degree_name
Doctor of Philosophy
Level thesis:degree_level
Doctoral
Discipline thesis:degree_discipline
Music
Grantor
The Graduate School and University Center of The City University of New York
Year dc:date.available
2015

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Tallaj-García, Angelina Maria
Advisor dc:contributor.advisor
  • Peter L. Manuel

Subjects

dc:subject × 9

Identifiers

dc:identifier.*
Repository record dc:identifier
https://academicworks.cuny.edu/gc_etds/629
OAI identifier oai:identifier
oai:academicworks.cuny.edu:gc_etds-1628

Chain of custody

source
Harvested from
City University of New York - Graduate Center
Base URL
academicworks.cuny.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Tallaj-García, Angelina Maria. Performing Blackness in a Mulatto Society: Negotiating Racial Identity through Music in the Dominican Republic. Doctoral thesis, The Graduate School and University Center of The City University of New York, 2015. https://academicworks.cuny.edu/gc_etds/629