Abstract
dc:description.abstractThat brief moment when ideas become as clear as day; that is where this thesis hopes to starts. This thesis sets out to question the role of drawing in current studio education in architecture and whether new hybrid approaches can work with or unsettle the digital hegemony for the benefit of 21st century architecture. As the mind works to draw out its own creations in "real space" the brain seems to understand its capacity to create feelings, thought, movement and gesture, all poetically expanded through millions of minute details. Can drawing help us to creatively keep up with the mind and improve our architectural production, by both analogue and digital methods? With Physical tactile means of iteration can we enrich our architectural content. How can redrawing drawings help inform the new spaces around us, how can we re-think drawing to keep up with mind and society?
Degree
thesis:*- Name thesis:degree_name
- Master of Architecture (M.Arch.)
- Level thesis:degree_level
- Master's
- Discipline thesis:degree_discipline
- Architecture
- Grantor dc:publisher
- Carleton University
- Year dc:date.issued
- 2021
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Ngan, Ian Jacob
Rights
dc:rights- Statement dc:rights
-
- Copyright © 2021 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
- Language dc:language.iso
- en
Identifiers
dc:identifier.*- OAI identifier oai:identifier
- oai:carleton.scholaris.ca:20.500.14718/42334