Abstract
dc:description.abstractThis thesis is a study of remembering in the postcolony. A remembering that is less about the need to forestall forgetting than it is about a putting back together of the fractured body. It suggests that while the postcolony demands remembering, its particularities render remembering highly problematic if not impossible. It argues that performance and a particular piece of dramaturgy is one way of intervening in this process of remembering; one way of making the silent dead speak, because performance is connected to both time and silence in key ways.
Degree
thesis:*- Grantor dc:publisher.institution
- Department of Drama
- Year dc:date.issued
- 2012
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Fleishman, Mark
- Advisor dc:contributor.advisor
-
- Worden, Nigel
Rights
- Language dc:language.iso
- eng
Identifiers
dc:identifier.*- Handle dc:identifier.uri
- http://hdl.handle.net/11427/10476
- OAI identifier oai:identifier
- oai:open.uct.ac.za:11427/10476