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The University of Arizona.

An Overview of Almeida Prado's "Transtonal" System in his Cartas Celestes, First Six Volumes, for Piano Solo

Abstract

dc:description.abstract

This study attempts to demonstrate the singular synthesis of influences and compositional techniques represented by the work Cartas Celestes (Celestial Maps) for piano by José Antonio Rezende de Almeida Prado (born in Santos, São Paulo, Brazil, on February 8, 1943). Although Almeida Prado, clearly one of the more influential Brazilian composers, wrote a vast repertoire for all genres, his piano works are fundamental throughout his compositional career. This significant body of work allows one to track his evolution as a composer and to define the changing characteristics of his style within the different phases of his trajectory. This study will examine Cartas Celestes Volumes IVI, Almeida Prado's most important work for piano solo, with particular attention to Volume I. This document will also discuss "Transtonalism," the "System of Organized Resonances," and the Twenty-Four chords, all created by him. The examination of Cartas Celestes Volume I will focus on Almeida Prado's innovative compositional devices and techniques. In addition, this study will investigate the most important aspects of Almeida Prado's music, including timbre exploration and the use of the piano with emphasis on touch, attacks, pedaling, pianistic gestures, and technique.

Degree

thesis:*
Name thesis:degree_name
D.M.A.
Level thesis:degree_level
doctoral
Discipline thesis:degree_discipline
Music
Grantor dc:publisher
The University of Arizona.
Year dc:date.issued
2009

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Peixoto Ferraz, Maria Helena
Advisor dc:contributor.advisor
  • Gibson, Tannis
Committee members dc:contributor.committeemember
  • Rosenblatt, Jay
  • Decker, Pamela

Subjects

dc:subject × 4

Rights

dc:rights
Statement dc:rights
  • Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
Language dc:language.iso
EN

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/10150/194305
OAI identifier oai:identifier
oai:repository.arizona.edu:10150/194305

Chain of custody

source
Harvested from
University of Arizona
Base URL
repository.arizona.edu/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Peixoto Ferraz, Maria Helena. An Overview of Almeida Prado's "Transtonal" System in his Cartas Celestes, First Six Volumes, for Piano Solo. doctoral thesis, The University of Arizona., 2009. http://hdl.handle.net/10150/194305