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University of Adelaide

Baroque influences in nineteenth and twentieth century piano repertoire: a study of interpretative issues.

Abstract

dc:description.abstract

The exegesis investigates ways in which major piano works of the 19th and 20th centuries reflect elements of baroque tradition and considers the implications for performance. After the baroque period, from the 18th century to the present, many composers have continued to explore baroque forms, textures and expressive devices. Thus, by investigating the nature of such stylistic linkages, the performer can enter the works at a deeper structural and expressive level.

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Xu, Wen
Advisors dc:contributor.advisor
  • Lockett, David Robert
  • Coaldrake, Kimi

Subjects

dc:subject × 1

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/2440/49669
OAI identifier oai:identifier
oai:digital.library.adelaide.edu.au:2440/49669

Chain of custody

source
Harvested from
University of Adelaide
Base URL
digital.library.adelaide.edu.au/server/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Xu, Wen. Baroque influences in nineteenth and twentieth century piano repertoire: a study of interpretative issues.. 2008. http://hdl.handle.net/2440/49669